LATEST ADDITIONS

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Stereophile Staff Posted: Nov 30, 2014 0 comments
Soundings Fine Audio Video are having an open house Thursday, December 4, from 6 to 9pm, celebrating the Colorado debut of Boulder's 3060 and 2160 stereo amplifiers and the 2110 preamplifier. Representatives from Soundings and Boulder Amplifiers will be on hand to demonstrate and talk about these new products and to answer questions you may have about them. Adult beverages will be served alongside fine food provided by Great Northern Tavern. Click here for more details.
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Fred Kaplan Posted: Nov 30, 2014 1 comments
Frank Kimbrough is a protean artist; his voices are myriad, adaptable to the occasion, as a musician, bandleader, sideman, and composer. His new CD, Quartet (on the Palmetto label), is his first album as the leader of a foursome. (The other albums under his name have been solos, duets, or trios), and it's among his most inventive.
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Jason Victor Serinus Posted: Nov 30, 2014 2 comments
Musical Surroundings' Jesse Luna (left) and Garth Leerer (right) flank Nuts About HiFi's Jim Lee.

If that title hasn't gotten your attention, nothing will . . . except, perhaps, the Northwest preview of: 1) the forthcoming Aesthetix Metis linestage preamplifier (est. price $20,000–$25,000), which is expected by the second quarter of 2015; 2) Clearaudio Concept Wood turntable with tonearm ($2200); and 3) DS Audio DS-W1 "Nightrider" Optical phono cartridge with dedicated phono equalizer ($8500). This tempting trio of coming outs, arranged by Garth Leerer and Jesse Luna of Oakland, CA-based distributor Musical Surroundings, took place at Nuts About HiFi, a Seattle-area high-end emporium that celebrated its Silver Anniversary in Silverdale, WA on November 30, 2014.

John Atkinson Posted: Nov 26, 2014 4 comments
The experience left me doubting my ears. After I'd performed all the measurements of Ayre Acoustics' KX-R preamplifier ($18,500) to accompany Wes Phillips's review in our November 2008 issue, I spent a weekend listening to it. To my astonishment, the sound of my system with a Transporter D/A processor feeding the preamplifier was better than when the DAC fed the power amplifier directly. Through the KX-R, images sounded more tangible, and the sound was better focused, despite the signal's having been passed through not just another set of interconnects but also through the preamp's input and output socketry, switches, a volume control, printed circuit-board traces, and active and passive parts. Logically, you'd think that having nothing in the signal path would have less of a degrading effect than so many somethings. But no, that was not what I heard, much as I would have preferred otherwise.
Robert Baird Posted: Nov 25, 2014 4 comments
James Brown: Love Power Peace: Live at the Olympia, Paris, 1971
Polydor/Sundazed 5470 (3 LPs). 2014. James Brown, prod., mix; Ron Lenhoff, eng., mix; Bob Irwin, mastering. AAA.? TT: 92:50
Performance *****
Sonics ***½

In the one scene in the new James Brown biopic, Get On Up, that's actually about his music, JB, who began his career in music as a drummer, tells his horn section to "sound like a drum." It also shows him being dictatorial and harsh, traits that contributed to his losing several bands' worth of key musicians over the years. Perched on the edge of such a precipice were the shows in Paris, at the Olympia Theatre, in March 1971, one of which was recorded by King Records.

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Jason Victor Serinus Posted: Nov 25, 2014 22 comments
With increasing frequency, many audiophiles and industry professionals have accepted that the quest for highest-quality sound quality is a luxury and esoteric pursuit that, by its very nature, can appeal to only a small niche market. According to this view, the masses—the 99%, if you will—are either satisfied with Pioneer, Bose, Samsung, Dr. Dre, and iPhone/Android/tablet sound; can't tell the difference between quality and dreck; or will never have the money or imagination to move beyond lowest-common-denominator sound. To the extent that the vast majority knows anything about high-end audio, it regards it as an absurdly overpriced indulgence and a target for their disdain.
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Fred Kaplan Posted: Nov 22, 2014 2 comments
Maria Schneider, photographed by Jimmy & Dena Katz

It’s Thanksgiving time, and New York jazz fans know what that means. No, not the Macy’s parade down Broadway or the lighting of the Christmas tree in Rockefeller Center. The really big shows for our crowd—annual traditions for a while now—are the Maria Schneider Jazz Orchestra at the Jazz Standard and Jason Moran’s Bandwagon Trio at the Village Vanguard.

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Robert Baird Posted: Nov 21, 2014 4 comments
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Stereophile Staff Posted: Nov 21, 2014 2 comments
The December issue is here and it features our annual "Products of the Year" (cutely referred to as "PotY" in-house). 67 products made it through to the final round of voting from the magazine's editors and reviewers—read Art Dudley's comments to find out who the winners are.
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Robert J. Reina Posted: Nov 20, 2014 0 comments
Harry Pearson (left) with Stereophile founder J. Gordon Holt (right) at a 1988 party in Sea Cliff, NY. Photo: Chris Yuin

I was shocked when I learned that my dear friend Harry Pearson had passed away, on November 4 . . .

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