The news zipped across the interwebs like lightning just after 9AM Eastern Time today (it went live here first). "Now & Then," a new-old song by The Beatles made with modern technology, bringing the band back together once more across time and space, will be released November 2. The evening prior, at 7PM London time, the BBC will broadcast "Now And Then – The Last Beatles Song," a short documentary directed by Oliver Murray, describing how the song was made. It will appear on the Beatles' YouTube channel at 8:30PM London time November 1, 3:30PM Eastern US time. There will also be a radio documentary about the song, produced by Beatles historian Kevin Howlett. The BBC today released the first 5 episodes of "Eras - The Beatles," a podcast hosted by actor Martin Freeman; episode 6 will drop November 2 (see https://www.bbc.co.uk/sounds/play/m001rzhw).
There's more: New 50th Anniversary expanded versions of 1962-1966 ("The Red Album") and 1967-1970 ("The Blue Album") will be released November 10.
Often it seems we're living at a time of hi-fiindustry contractionthat expansion in retail, if it exists at all, is online, and the number of real-world dealerships is shrinking. But at least two California dealerships, San Diego's Alma Audio (top photo) and Pasadena's Audio Element (bottom photo), are expanding in the actual, offline world.
Why expand? For the reasons you'd expect. The two dealerships want to expand their reach and capitalize better on the advantages that brick-and-mortar retail affords, especially when it comes to selling more expensive goods. They are aiming to reach more people in new locations with a more personal, experiential approachmuch different than reading specifications, looking at pictures, and clicking the "buy" button online. Both dealerships are aiming to sell higher-end stuff at their new locationsthe kind of sales that don't work as well onlineto new customers in new places.
In a scene from The Silence of the Lambsa film that for all of its camp happens to be nearly perfectFBI cadet Clarice Starling asks caged psychopath Hannibal Lecter for help in figuring out a serial killer's motives. "Do we seek out things to covet?" Lecter responds, following Starling with his eyes as though she were his next meal. "No," he continues, "we begin by coveting what we see every day." Lecter's astute observation applies equally well to audiophilia. Much of this hobby consists of coveting: before we own a component, we usually spend a long while imagining all the ways it will improve our lives.
When I read the news that songwriter and guitarist Jaime Royal "Robbie" Robertson had passed, I forwarded a link to the obituary in the New York Times to my friends Doug and Jon. They were with me in the balcony of the Berkeley Community Theater on the evening of January 31, 1970, to hear a performance by The Band. We were juniors at Berkeley High School that year and lived and breathed that music every day. I recall sitting around with them outdoors, singing songs from The Band's first two albums.
As I was talking with an audio-retailer friend recently, he reached for a Rolls-Royce metaphor to describe the McIntosh brand. Expensive? Sure, but not as expensive as some boutique high-end products. Fast? Sure, but there are faster thingsalso bigger things, smaller things, wackier things, and cheaper things.
But when you look at a Rolls or a Bentley, you immediately recognize it for what it is, and you want to sit down in it. And so it is with McIntosh, except you don't want to sit down in it; you want to sit down in front of it, between the speakers of the hi-fi system it occupies.
The C12000 is McIntosh's current flagship preamplifier. It's part of McIntosh's Hybrid Drive series of products that combine tubes and transistors in interesting ways.
Loudspeakers from British manufacturer Monitor Audio have consistently received favorable reviews in Stereophile over the past decades. From the R952MD I reviewed in January 1988 to the Silver 500 7G reviewed by Rob Schryer in February 2022, Monitor Audio speakers have offered excellent sound quality and high-quality engineering. So when I was offered the company's Platinum 300 3G for review, I readily agreed. Having lived with standmounts and minimonitors for the past year, I felt it would be good to spend some time with a pair of large, full-range, three-way floorstanders.
If you've read any of my previous Dreams, you no doubt realize that I am an empiricist by tradethat I believe in the value of relaxed, mindful observation, especially if my solitary observances are independently corroborated by others. Whenever possible, I test my observations by getting either the Spin Doctor, the Audiophiliac, or my Russian neighbor to listen and tell me what they notice. If they notice the same things I noticed, independently, I relax. Corroboration is important because when I submit a review, I have an obligation to get it right. I need to be confident that readers, when they listen, will likely hear the same thing I heard, for themselves.
On Monday, 23 October from 9–5, representatives of Lenbrook will be presenting the new DALI KORE loudspeakers at Safe and Sound, 675 Fuller Rd. in Chicopee, Massachusetts. Lenbrook's Brian Farley and David Dunn will be in attendance. For more information, call (413) 594-6460. No RSVP required—just stop by!
Why is John Coltrane's A Love Supreme still so resonant nearly 60 years after it was recorded? Much to its credit, it's short (just over 30 minutes) and to the point. If you're going to raise a prayer of gratitude to a higher power and layer spiritual meaning onto music, best not belabor the point. In the case of A Love Supreme, that kind of brevity also extended to the recording process. The album was tracked in one dayDecember 9, 1964by Rudy Van Gelder in his studio in Englewood Cliffs, New Jersey; Van Gelder also mixed the album. A composed (rather than purely improvised) four-part suite ("Acknowledgement," "Resolution," "Pursuance/Part 4," and "Psalm"), it exudes a certain hypnotic aura. It draws the listener in with an entrancing spirituality, its fealty to love and a higher power. Finally, the incisive, same-page playing of bassist Jimmy Garrison, drummer Elvin Jones, and pianist McCoy Tyner is almost supernatural.
How do you know you're beyond help as a card-carrying audiophile? For me, it happened during a recent trip to Italy. Several times a day, my thoughts drifted to the Focal Maestro Utopia Evo speakers that had been delivered two days before I left for Europe. At one point, I considered FaceTiming the housesitter to request a live view of the listening room, where the Maestros were playing music, breaking in.
Chrissakes! Couldn't I just enjoy la dolce vita? Savor the belly-busting meals in Treviso and Civitavecchia, surrender to Tuscany's soul-soothing landscapes, thrill to Rome's old-world charms? Ninety-nine percent of the time, I did. The trip was a delight, and I wouldn't have missed it. But yes, I thought of those Maestros several times a day. The heart wants what the heart wants.