LATEST ADDITIONS

Filed under
Stereophile Staff Posted: May 11, 2016 0 comments
Saturday May 14, from noon–6 pm, Crescendo Fine Audio (6760 W 38th Avenue, Wheat Ridge, CO 80033) is holding a special Technics Open House. The featured guest will be Matt Frazer Manager of Retail Services for Technics.
Filed under
Jason Victor Serinus Posted: May 10, 2016 1 comments
Positioned at a height reachable only by the towering Gary Yacoubian, the CEO/President/Managing Partner/Chief Window Washer of SVS, the aptly named Prime Elevation (approx. $399/pair) is part of the company's year-old Prime Series…
Filed under
Jason Victor Serinus Posted: May 10, 2016 11 comments
The YB combines a 1" Scanspeak Illuminator beryllium tweeter, 5.25" sliced-paper cone mid-woofer, and 8" non-ported aluminum woofer in a slim composite cabinet…
Filed under
Stereophile Staff Posted: May 10, 2016 0 comments
Thursday May 12, The Audio Salon (The Bergamot Station, 2525 Michigan Ave (Gallery F1), Santa Monica, CA 90404), 4:45pm–8:00pm, is hosting an evening with David and Daryl Wilson, to celebrate Wilson Audio Specialties' first 42 years. Dave and Daryl, beginning at 5:00pm, 6:00pm, and 7:00pm, will give three 50-minute presentations in the art gallery area. As well as discussing the culture and history of Wilson, what has changed since those nascent days when Daryl sat on his father's lap and listened to the first prototype WAMM, they will demonstrate Wilson's new Alexx loudspeaker.
Filed under
Jana Dagdagan Posted: May 09, 2016 12 comments
"Are you an audiophile?" I find myself yelling into my semi-functional smart phone, sitting in my dimly lit cubicle in Stereophile's New York office.

On the other end of the line is my close friend and long-time mentor, David Binney. We're FaceTiming in slow, fragmented motions as he eats his dinner in a lively restaurant before a gig in central Belgrade.

"No, definitely not." He says quite matter-of-factly. "I subscribe to Stereophile but I don't consider myself an audiophile. I wish I was, but it's too expensive.

Filed under
Jason Victor Serinus Posted: May 08, 2016 3 comments
I don't know about you, but I have a hard time wrapping my head around the computational power required to accurately and consistently upsample to DSDx16 (DSD1024)…
Filed under
Jason Victor Serinus Posted: May 07, 2016 101 comments
MQA's game-changing breakthrough has arrived. On 9am UK time on May 6, 2016, Warner Music Group (WMG), whose vast catalog includes everything from the Beatles to Maria Callas, announced a long-term licensing deal with MQA (Master Quality Authenticated). The agreement makes it possible to digitize the entire WMG catalogue in the superior MQA-encoded format of various resolutions, and disseminate the files via download and streaming services in a far more efficient and user-friendly manner.
Filed under
Ken Micallef Posted: May 06, 2016 0 comments
Pro-Ject Audio System's founder and President Heinz Lichtenegger debuted three products in Manhattan this past April 28. Among the upbeat Austrian's new wares were the Vertical turntable (above), the Classic turntable, and the DAC Box DS2 Ultra. Presented at World of McIntosh's SoHo townhouse, visitors were given a tour of the 1890s-built former New York City power substation, now beautifully renovated and stuffed floor to ceiling with audio gear from Sonus Faber, McIntosh, and of course, Pro-Ject.
Filed under
Jason Victor Serinus Posted: May 05, 2016 1 comments
To get an idea of how many press and industry members attend Munich High End, just take a look at this "opening bell" shot of people queuing on the ground level and on one of the spiral stairways up to the atrium level of the MOC Convention Center…
Filed under
Art Dudley Posted: May 05, 2016 6 comments
Yet knowing how way leads on to way,
I doubted if I should ever come back.
—Robert Frost

Perhaps it was different for other audio hobbyists in other parts of the world, but to this American, the Naim Audio of the late 1970s and early '80s seemed a bit prickly. It wasn't just their road-less-traveled-by attitude toward amplifier design—scorning class-A output architecture, preferring DIN connectors to RCA jacks, routing preamp output signals and power-supply voltages through the same cable—but also the British company's perspectives on selling and setting up and even listening to hi-fi gear that seemed combative: Shopping for amplifiers based on output power is foolish. Using short speaker cables and long interconnects is the wrong way to go about it. And why do you Americans bother with all that "soundstaging" nonsense?

Pages

X