LATEST ADDITIONS

Wes Phillips  |  Dec 12, 2005  |  0 comments
ShoreView Industries, Inc. has acquired MartinLogan Ltd., the Lawrence, KS–based manufacturer best known for its line of high-end electrostatic loudspeakers. Transaction terms have not been disclosed.
Wes Phillips  |  Dec 12, 2005  |  0 comments
My contribution to office productivity today—a game you can neither win nor quit.
Wes Phillips  |  Dec 12, 2005  |  0 comments
Of course, it's just downtown Tübingen, but you get the idea.
Wes Phillips  |  Dec 12, 2005  |  0 comments
Of course, we have no word on pricing yet.
Wes Phillips  |  Dec 12, 2005  |  0 comments
I can see by your smile, my friend / You're from the other side . . .
Wes Phillips  |  Dec 12, 2005  |  0 comments
Roll your mouse over the skulls to see the corresponding animals.
Stereophile  |  Dec 11, 2005  |  50 comments

The year is drawing to a close and once again we've seen many great audio products released. What is your choice for best new audio product of the year 2005?

What is your choice for best new audio product of 2005?
Here it is
69% (43 votes)
Don't have one
31% (19 votes)
Total votes: 62
Stephen Mejias  |  Dec 11, 2005  |  0 comments
What're they all about, these so-called Products of the Year? Why do we put so much time and energy into the voting? Why compile a list of all the products we've reported on in Stereophile over the last 12 months, putting little checkmarks and stars and numbers and other irreverent doodles and dashes beside their already silly names? Certainly all this hullabaloo isn't for our health. It's not even fun. It doesn't promote that strange, weird, and wonderful tingling feeling way down in the toes. It doesn't taste good. And chicks don't really dig it. So: Why?
Kalman Rubinson  |  Dec 11, 2005  |  0 comments
Back in the 1970s, I used to hang out at an audio store on Northern Boulevard's Miracle Mile. After business hours—and sometimes during them—a group of us audiophiles would put every new product through the wringer. One of the most anticipated was the original B&W 801, which appeared in 1979. The 801 was simply unflappable. Fed enough power, a pair of them played louder and cleaner than anything we had ever heard, including the mammoth, multimodule Fultons that were the pride of that shop. But—and this was a big but—the 801 lacked immediacy and engagement, and I soon fell back to preferring an earlier B&W model, the DM6, which seemed more coherent and to offer the music out to the listener. The 801 was more objective and detached, but boy, could it knock you over with the right source material.

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