LATEST ADDITIONS

J. Gordon Holt  |  Mar 05, 2006  |  First Published: Jun 05, 1966  |  0 comments
Editor's Note: Although this product has been available for several years, it is being reviewed in considerable detail because it is a strong contender for the title of "Best Available Loudspeaker System, Regardless of Cost," and because we plan to review some of the other contenders for the same title within the next few issues. We feel that since all of these systems represent a considerable outlay of money, prospective buyers should have a thorough understanding of the merits and demerits of each system, so they will know what to expect from them in the way of performyince capabilities and operational requirements.
Jonathan Scull  |  Mar 05, 2006  |  First Published: Nov 05, 1997  |  0 comments
Just who does Bruce Rozenblit think he is? And why is he saying those things about the late Julius Futterman? Rozenblit, relying heavily for guidance on his Electrical Engineering degree, has crafted an OTL (output-transformerless) amplifier that flies in the face of contemporary design dogma. To hear Bruce tell it, he's tamed the breed—this is how OTLs should have been done to start with, Futterman notwithstanding.
Thomas J. Norton  |  Mar 05, 2006  |  First Published: Nov 05, 1997  |  0 comments
The concept of a loudspeaker with its own built-in amplification is an idea whose time should long since have come. Technically it makes a lot of sense, and in some parts of the world—not to mention professional circles—it's quite popular. But commercially, the idea has never really taken off in this country. And while the loudspeaker manufacturer should be in a better position to make the best amplifier choice, American audiophiles seem wedded to the idea of making their own amplifier/loudspeaker match.
Larry Archibald  |  Mar 05, 2006  |  First Published: Jun 05, 1989  |  0 comments
Mirage /ma-'räzh/ n [F, fr mirer to look at. fr. L mirari] 1: an optical effect that is sometimes seen at sea, in the desert, or over a hot pavement, that may have the appearance of a pool of water or a mirror... 2: something illusory and unattainable, like a mirage.
Jason Victor Serinus  |  Mar 05, 2006  |  0 comments
The first hybrid SACDs produced and recorded in Russia have made their way to North America. The new Russian company responsible for the recordings, Essential Music, issues them on the Caro Mitis label, whose name is Latin for "succulent fruit." All are recorded in multichannel DSD and released as hybrid SACD/CDs. Caro Mitis releases are imported by Todd Garfinkle of M•A Recordings. Garfinkle himself has been responsible for some of the most enjoyable audiophile recordings of unusual performers and repertoire in the catalog.
Wes Phillips  |  Mar 03, 2006  |  1 comments
This almost 10-year-old Billboard article is still timely. The next time a record label whinges about how the major labels are important cultural institutions preserving our musical patrimony, I'm going to email him this. Grrrr.
Wes Phillips  |  Mar 03, 2006  |  1 comments
Lovely essay on Greene's friendship with a genuine Foreign Office undercover agent. Peter Edmund James Leslie was an ex-Anglican priest who converted to Catholicism, owned shares in a diamond mine, worked as an arms salesman, and served as a Vice-Consul—in others words, he was the very template of a Graham Greene protagonist.
Stephen Mejias  |  Mar 03, 2006  |  8 comments
Happy Friday, lovely. I'm sorry for missing you yesterday. I started on several different entries, actually, but none went where I wanted. Which isn't necessarily bad — entries often take unexpected turns — but these entries, in particular, simply seemed not right enough for this space.
Wes Phillips  |  Mar 03, 2006  |  0 comments
German scholars think they have deciphered the 3600 year-old sky disc of Nebra. I'll believe almost anything, so long as James Spader doesn't smack himself in the forehead and say, "I just remembered—I do speak ancient Egyptian!"
Wes Phillips  |  Mar 03, 2006  |  2 comments
"Worship me, unworthy wretch!"

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