LATEST ADDITIONS

Wes Phillips  |  Apr 24, 2006  |  2 comments
Turns out that the 100 Acre Wood was a place "of disenchantment, where neurodevelopmental and psychosocial problems go unrecognized and untreated."
Wes Phillips  |  Apr 24, 2006  |  0 comments
Scientists studying the orbitofrontal cortex (OFC) think they've discovered the neurons responsible for making choices. Soon, they may tackle the really important issues, such as whether some audiophiles are genetically disposed towards choosing solid-state over tubes.
Wes Phillips  |  Apr 24, 2006  |  1 comments
A short film by Ernest Cline. This monkey says yay! Or should that be "oook"?
Wes Phillips  |  Apr 24, 2006  |  0 comments
A shockwave interactive analysis of Bach's dissertation on harmony—with an emphasis on the fugues.
Stereophile  |  Apr 23, 2006  |  63 comments

Many audiophiles worry about their hearing and will protect it at all costs: one <I>Stereophile</I> writer has even written about wearing earplugs while driving. What do you do to protect your hearing?

What do you do to protect your hearing?
Here is how I do it
65% (55 votes)
I don't worry about it
35% (29 votes)
Total votes: 84
Wes Phillips  |  Apr 23, 2006  |  0 comments
April 24: On Saturday, April 22, the audio forum Head-Fi staged its first national meet at the Adria Ramada Inn and Conference Center in Bayside, NY. The meet, organized by Aaron Kovics (Head-Fi tag: immtbiker), occupied over 3300 square feet of floor space, most of which was divided into manufacturers' display tables and forum members' demonstration areas. Yep, you read that right—unlike ordinary hi-fi shows, the Head-Fi meets are opportunities for the attendees to show off their systems, sample and compare professionally manufactured components, and demonstrate their DIY projects. In fact, one of the biggest surprises I experienced when I attended a regional meet at the same venue last November was that some of the DIY projects not only sounded as good as the commercially available gear, they were built to standards of fit'n'finish that rival "real" products as well.
Michael Fremer  |  Apr 23, 2006  |  0 comments
In this hobby, nothing's for nothing. To get that gorgeous midrange, with its harmonic depth and inner detail, tube-amp enthusiasts are willing to give up some things in the bass. Tube folks put up with heat and occasional maintenance—routine or otherwise. To get the ideal middle, fans of single-ended triodes are even willing to shave off considerable dynamic range and settle for ultra-efficient speakers that often have limited response at the frequency extremes. Those who say nothing is lost by preferring tubes are in denial.
Brian Damkroger  |  Apr 23, 2006  |  0 comments
The original plan, back in mid-2004, was to audition an entire Ensemble system and then review the individual components over the next two years. Most audio companies produce lines of matching products, but Ensemble takes it a bit further, with a modular approach and extensive commonality of everything from chassis to circuit boards. They firmly believe that everything affects sonic performance, and their approach helps ensure a consistent sound throughout their line.
John Atkinson, Wes Phillips  |  Apr 23, 2006  |  0 comments
In his bimonthly column, "The Fifth Element," John Marks has tried to identify pro-audio components that would be of interest to audiophiles. In his June 2005 episode, John wrote about Grace Design's m902 D/A headphone amplifier ($1695), the Colorado company's replacement for the 901, which had long been a favorite of his. Changes include: the handling of single-wire sample rates of up to 192kHz; unbalanced analog outputs, controlled by the front volume control, to allow the unit to be used as a preamplifier; a cross-feed processing circuit licensed from www.meier-audio.de; power-supply revisions; and the provision of a USB digital input, in addition to S/PDIF, AES/EBU, and TosLink.
Wes Phillips  |  Apr 23, 2006  |  0 comments
Looking at all of the high-end headphones and headphone accessories available today, it's difficult to even remember how barren the head-fi landscape was in the early 1990s. Back then, headphones got no respect, except for exotic, expensive electrostatic models, yet most of the world listened to music through headphones all the time, mostly through crappy cans connected to portable players. (Well, maybe it wasn't that different a landscape.)

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