LATEST ADDITIONS

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Jon Iverson Posted: Sep 28, 1998 0 comments
Cats vs. dogs, Wile E. Coyote vs. Roadrunner, Spy vs. Spy, Analog vs. Digital. It seems that some battles will never end, and so it is with flux vs. bits in the professional recording industry. The Audio Engineering Society (AES) conventions dazzle showgoers with the latest audio recording and processing gear, mostly digital, and this year's show is no exception. The big buzz heard 'round the hall were higher sampling and quantization rates for future music formats such as DVD-Audio. But off-site, at the nearby ANA hotel (great choice of venue---just add LOG) in downtown San Francisco, key industry heavyweights were holding a meeting to discuss the future of analog recording technologies.
Robert Baird Posted: Sep 28, 1998 0 comments
BILLY BRAGG & WILCO: Mermaid Avenue
Elektra 62204-2 (CD). 1998. Billy Bragg, Wilco, Grant Showbiz, prods.; Jerry Boys, eng.; Nora Guthrie, exec. prod. AAD? TT: 49:42
Performance ****?
Sonics ****
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Jonathan Scull Posted: Sep 28, 1998 0 comments
So where did we leave off? I think you were wandering around the listening room clapping your hands. You were, I hope, listening to the slap echo and noting how it changed as you meandered about. That's probably just when someone near and dear bumped suddenly into the room and gave you that peculiar look we audiophiles know so well. Try to explain what you're doing.
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Stereophile Staff Posted: Sep 27, 1998 0 comments
For years, credit cards have allowed people to earn points toward air travel and automobiles, so earning credits for audio and video gear seems a no-brainer. Last week, Sony Electronics and Citibank launched the Sony Citibank Card, a co-branded credit card that allows consumers to earn points toward the purchase of a variety of Sony entertainment and merchandise.
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Stereophile Staff Posted: Sep 27, 1998 0 comments
HDCD and Pacific Microsonics appear to be on a roll these days. The HDCD process, developed to coerce 20-bit performance out of the 16-bit CD format, is gaining several new licensees and is also appearing in more devices, as evidenced by several recent announcements. The company is also looking ahead to future DVD formats with an agreement intended to couple HDCD benefits with higher sampling rates.
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Barry Willis Posted: Sep 26, 1998 0 comments
James Bongiorno needs your help. The legendary electronics designer, whose pioneering work with fully complementary solid-state amplifiers has become part of engineering's standard lexicon, is battling liver cancer.
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Barry Willis Posted: Sep 26, 1998 0 comments
Saturday, September 26, thousands of enthusiastic audio-savvy attendees began swarming through the massive cavern of the Moscone Center's North Hall in San Francisco. They will continue to swarm until late Tuesday, September 29, the last day of the 105th Audio Engineering Society Convention. The convention has attracted hundreds of companies whose products are extravagantly displayed in the huge space beneath the Yerba Buena Gardens. Demonstrations of new products and technologies also take place in smaller rooms off the main floor. Research papers are being presented in meetings throughout the four-day event.
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Wes Phillips Posted: Sep 20, 1998 0 comments
It's cheating to say that the best sound I've heard at the English Show was at Martin Colloms' house on Saturday night---cheating the same way it is when someone asks that question and I (or some other reviewer) piously responds that some live music event ranks above any exhibitor. Martin, of course, has an advantage over anyone at the Show. He set up his own listening room and had all the time he needed to boot. Even so, his system, consisting of a Krell KRS-25 and FPB 650Ms and Wilson Audio WITT IIs, was astoundingly fast, rhythmic, and dynamic.
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Jon Iverson Posted: Sep 20, 1998 0 comments
Outboarders---it has a certain dark ring to it, conjuring the image of futuristic outlaws from a William Gibson sci-fi novel, or perhaps a renegade hacker cult living off-planet somewhere.
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Wes Phillips Posted: Sep 19, 1998 0 comments
Are there differences between an American hi-fi show and the British variety? A few---the biggest is the extent to which all the real business takes place at the bar. This is true for the audio press (okay, not all that different from an American show), but it's true for manufacturers as well. After Show hours, the boozer is jammed with everybody in the business sharing a few pints, smoking, and talking shop. It's not unusual to see business rivals chatting amiably about the state of the industry---and even discussing distribution in some detail.

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