LATEST ADDITIONS

Les Berkley Various Posted: Nov 22, 1994 0 comments
J.S. BACH: Suites for Solo Cello
Nathaniel Rosen, cello
John Marks Records JMR 6/7 (2 CDs only). Doris Stevenson, prod.; Jerry Bruck, eng. DDD. TT: 2:16:43
John Atkinson Posted: Nov 19, 1994 0 comments
"What's that noise?" Bob Harley and I looked at each other in puzzlement. We thought we'd debugged the heck out of the recording setup, but there, audible in the headphones above the sound of Robert Silverman softly stroking the piano keys in the second Scherzo of Schumann's "Concerto Without Orchestra" sonata, was an intermittent crackling sound. It was almost as if the God of Vinyl was making sure there would be sufficient surface noise on our live recording to endow it with the Official Seal of Audiophile Approval. Bob tiptoed out of the vestry where we'd set up our temporary control room and peeked through a window into the church, where a rapt audience was sitting as appropriately quiet as church mice.
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Martin Colloms Posted: Nov 15, 1994 0 comments
If you read much promotional literature for recently introduced high-quality equipment, you'll notice a common theme emerging: balanced connection. Balanced inputs and outputs are becoming a must for any audio equipment that has any claim to quality. The word itself has promotional value, suggesting moral superiority over the long-established "unbalanced" connection (for the purpose of this discussion, I will call this "normal"). What's my problem with this? Simply this: The High End could be paying dangerous, costly lip service to the received wisdom that balanced operation is the goal for an audio system.
Les Berkley Posted: Oct 29, 1994 0 comments
HILLIARD ENSEMBLE/JAN GARBAREK: Officium
Medieval & Renaissance Chant & Polyphony by Morales, Perotin, Dufay, de La Rue, Anon.
The Hilliard Ensemble, vocals; Jan Garbarek, soprano & tenor saxes
ECM New Series 78118-21525-2 (CD only). Manfred Eicher, prod.; Peter Laenger, eng. DDD. TT: 77:41
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John Atkinson Posted: Oct 25, 1994 0 comments
More than 20 years ago, when the turntable was considered a perfectly neutral component in the playback chain, Ivor Tiefenbrun single-handedly demonstrated to the world that the turntable was not only an important part of a hi-fi system, but perhaps the most important part. That radical idea was the basis for the legendary Linn Sondek LP12 turntable, the product that launched Linn, and which is still in production 22 years later.
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Thomas J. Norton Posted: Oct 18, 1994 0 comments
The future is rarely what anyone expects it to be. I still remember reading, as a child, predictions in Popular Science that everyone would have a personal helicopter by 1980. It never happened, though it sure seemed like a reasonable projection of events. Events, however, have their own agenda.
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John Atkinson Posted: Sep 24, 1994 0 comments
During a recent visit to Canada's National Research Council, I noticed stuck to the wall of the prototype IEC listening room a page of results from one of Floyd Toole's seminal papers on the blind testing of loudspeakers. The scoring system was the one that Floyd developed, and that we adopted for Stereophile's continuing series of blind tests. "0" represents the worst sound that could possibly exist, "10" the perfection of live sound—a telephone, for example, rates a "2." The speakers in Floyd's test pretty much covered the range of possible performance, yet their normalized scoring spread, from the worst to the best, was just 1.9 points.
Kevin Conklin Posted: Sep 06, 1994 0 comments
MAHLER: Symphony 1, "Blumine"
James Judd, Florida Philharmonic Orchestra
Harmonia Mundi USA 907118 (CD only). Peter McGrath, eng.; Paul F. Witt, prod.; Robina Young, exec. prod. DDD. TT: 64:15
Richard Lehnert Posted: Aug 20, 1994 0 comments
TERRY EVANS: Blues for Thought
PointBlank/Charisma/Virgin 39064 2 (CD only). Ry Cooder, prod.; Mark Ettel, eng. AAD? TT: 49:18
Michael Ullman Posted: Jul 27, 1994 0 comments
LYNN ARRIALE: The Eyes Have It
Lynn Arriale, piano; Jay Anderson, bass; Steve Davis, drums
DMP CD-502 (CD only). Lynn Arriale, Tom Jung, prods.; Tom Jung, eng. DDD. TT: 62:22

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