LATEST ADDITIONS

J. Gordon Holt Posted: Nov 07, 1995 Published: Nov 07, 1971 4 comments
The Bose 901 has created more of a stir in audio circles than any other loudspeaker we can think of, with the possible exception of the original Acoustic Research system. Much of the 901's popularity is attributable to Julian Hirsch's rave report in Stereo Review, and there is no doubt but that Amar Bose's compellingly convincing ads had their effect, too. But these things alone could hardly account for the 901's popularity.
Corey Greenberg Posted: Nov 06, 1995 Published: Nov 06, 1991 0 comments
"An' then ya bring alla ground wahrs to uh, uh single po-wint..."
Filed under
Shannon Dickson Posted: Nov 06, 1995 0 comments
A thorough exploration in a magazine article of such a pervasive and complex topic as vibration control in audio systems is next to impossible; vibration and sound are so intimately bonded that it would be very easy to extend this discussion to just about any area of interest in audio. My intention here is simply to lay a foundation for understanding the basic mechanical forces affecting our quest for improved sonic fidelity, and in the process provide the tools for anyone to achieve good, practical vibration control in his or her system.
Lonnie Brownell Posted: Oct 23, 1995 0 comments
That's right, that's no typo; the name of this speaker is the Thiel CS.5—not 1.5, not 8.5, just point five. The CS.5 is the smallest of Thiel's floorstanding CS (Coherent Source) loudspeaker family, and is likely to remain so—a name like CS.125, for example, is a bit unwieldy. If you're familiar with the rest of Thiel's CS line, then you can imagine what the CS.5 looks like: it resembles the other CS speakers, except it's smaller (footnote 1). And, being a typical smartypants 'ender (as in "high-ender"), I bet you think you know 'zactly how these sound, too, don't you? Well? I thought so.
J. Gordon Holt Various Posted: Oct 20, 1995 Published: Oct 20, 1988 0 comments
Not only does the venerable vacuum tube refuse to lie down and die, as everyone predicted when audio went solid-state; it continues to deliver better performance than anyone had imagined it could. Only a few years ago, we could characterize "the tube sound" as being sweet but soft at the high end, rich but loose in the midbass, deficient in deep bass, and bright and forward, usually with excellent reproduction of depth. Since then, we've seen the introduction of what might almost be called a new generation of tube amplifiers, which rival solid-state units in those areas where tubes used to have weaknesses, but have given up little of the tube's sonic strengths.
Mortimer H. Frank Posted: Oct 09, 1995 0 comments
BEETHOVEN: Symphonies 1 & 3 ("Eroica")
Wolfgang Sawallisch, Royal Concertgebouw Orchestra
EMI 54501 2 (CD only). John Fraser, prod.; Michael Sheady, eng. DDD. TT: 77:15
Wes Phillips Posted: Oct 08, 1995 0 comments
"Cool bag! Can I see it?"
Corey Greenberg Posted: Oct 07, 1995 Published: Oct 07, 1992 0 comments
"I remember Momma!"
Jack English Posted: Oct 06, 1995 Published: Oct 06, 1992 1 comments
Solamente una faccia bella?
At first glance, the Sonus Faber (pronounced Fah-bear) Electa Amator appears to be a typical minimonitor: a small vented box with two drivers. The speaker is significantly better-looking than Franco Serblin's first speaker system, the Snail, a subwoofer with two satellites attached via arms (see photograph in Vol.11 No.3, p.34). And, like the Oracle Delphi turntable or Goldmund Apologue speakers (the latter also an Italian design), the Amator's appearance has received at least as much attention as its performance. But is it just another pretty face?
John Atkinson Posted: Oct 04, 1995 Published: Oct 04, 1993 0 comments
Combine an electrostatic panel to reproduce music's midrange and treble with a moving-coil woofer for the bass foundation. For decades, this has seemed the ideal way of designing a loudspeaker: Each type of drive-unit is used in the frequency region for which its performance is optimized. The resulting hybrid should sing like an angel.

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