LATEST ADDITIONS

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Stereophile Staff Posted: Apr 05, 1998 0 comments
High-end journal The Abso!ute Sound, long rumored to be circling the drain, has been officially revived. According to a press release dated March 24, TAS will be operated under a new company, Absolute Multimedia, owned by Tom Martin, a vice-president at Dell Computer. Martin has reportedly arranged serious financing for the new venture, which will be based in Austin, Texas.
Wes Phillips Posted: Apr 01, 1998 Published: Apr 02, 1998 0 comments
A few nights ago, John Atkinson and I played host to a speaker designer and a turntable manufacturer. We were all chewing over the 1998 Consumer Electronics Show, talking about different systems we'd heard there and speculating as to which designs would be around for the long haul. The speaker designer said he'd heard no truly bad sound at the Show. Nods all around the table—none of us had. The turntable manufacturer asked if any of us could recall hearing any spectacularly bad products recently. We all shook our heads.
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Barry Willis Posted: Apr 01, 1998 0 comments
Call it the comeback kid. Only a year ago, electronics retailer Best Buy Company was on the brink of disaster. Reeling from rapid expansion---34 new stores in two years---and suffering from an industry-wide sales slump, the retailer was said to be close to defaulting on some large-scale loans. Customers were being offered no-interest long-term credit as an inducement to buy anything on the sales floor.
Jonathan Scull Posted: Mar 31, 1998 Published: Apr 01, 1998 0 comments
I first met Jacques Mahul (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, melomanes, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)
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Jonathan Scull Posted: Mar 31, 1998 Published: Apr 01, 1998 0 comments
Jacques Mahul is an interesting, thoughtful man. He's entirely Parisian: international, urbane, and sophisticated. During "HeeFee" '96 in Paris, Kathleen and I sat down with him and spoke about his early years as an audiophile. To accompany my review of the JMlab Utopia, We tried to find out what drives him—to make the drivers he makes today! I asked him when had it all started:
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Melodia del Pescado Posted: Mar 31, 1998 0 comments
The performance of deep bass is one of the most perplexing questions we face. Timeless as the search for eternal youth or the meaning of life, the quest for truly satisfying deep bass has engaged generations of philosophers and inventors. Until recently, the subject was primarily one of conjecture, opinion, and hypothesis. Even so, almost no hard science had been devoted to this enduring issue.
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Barry Willis Posted: Mar 29, 1998 0 comments
More than 50 independent music labels ("indies") have signed on with Liquid Audio, the leading provider of music downloads over the Internet. The announcement was made March 19 at South by Southwest (SXSW), an annual music and media conference in Austin, Texas.
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Leonid Korostyshevski Posted: Mar 29, 1998 0 comments
Editor's Note: I received an e-mail from Leonid asking for advice on audio cables a few weeks back, and we quickly began discussing the local audio scene in his hometown in Russia. I asked him to describe it for me; what follows is his report.---JI
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Barry Willis Posted: Mar 29, 1998 0 comments
Telecommunications giant American Telephone and Telegraph announced March 16 that it too, now, has technology for digital music delivery. AT&T's system, called a2b music, is based on MPEG Advanced Audio Coding.
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John Atkinson Posted: Mar 29, 1998 0 comments
The DVD Forum's Working Group 4 (WG-4) is expected to deliver the "0.9" version of its official DVD-Audio specification this month, with "1.0" to follow shortly. While information is scarce, it appears that WG-4 is talking about four different kinds of disc, each of which will be playable on one or two of three different kinds of players. And that doesn't include Sony's and Philips' "Super Audio CD" proposal (see Peter van Willenswaard's report on SACD a couple of weeks back on the website), or the Classic Records-led "DAD" format, which uses the provision of the DVD-Video specification for 24-bit/96kHz audio data. (DADs will play on DVD-Video players that have appropriate D/A sections---also see the past item on the web site.)

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