Kalman Rubinson Posted: Sep 08, 2000 0 comments
I fell in love with the original Link DAC, as was obvious from my review in the January 1999 Stereophile. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.
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Barry Willis Posted: Sep 03, 2000 0 comments
Music lovers who availed themselves of's uploading-archiving-and-accessing services are about to become the next target market for the music industry. Nearing the end of protracted litigation brought against it by the music industry's "Big Five," the online music venture has announced a marketing service that will promote new commercial recordings directly to its users through e-mails. The recordings will be on labels under the control of's opponents in the year-long copyright wrangle.
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Barry Willis Posted: Sep 03, 2000 0 comments
An improved digital-audio compression standard has been adopted by the Bertelsmann Music Group (BMG) and the Universal Music Group for commercial music downloads. "Advanced Audio Coding" (AAC) is said to offer higher audio quality while occupying 30% less bandwidth and storage space than the popular MP3 format, according to an announcement from San Francisco–based Dolby Laboratories.
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Stereophile Staff Posted: Sep 03, 2000 0 comments
Dynaudio US's president, Al Filippelli, tells Wes Phillips that "Dynaudio speakers are a lot like the Danes who make them. They don't look all that fancy, but they tell the truth and they get the job done. To a lot of audiophiles, that's boring. But there are a lot of people who have been looking for those qualities in a loudspeaker, and for them, boring can be cause for excitement." Phillips takes an in-depth look at the Dynaudio Contour 3.3 loudspeaker to determine if "boring" can make him happy.
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Hervé Delétraz Posted: Sep 03, 2000 0 comments
Editor's Note: This is Part Two of a six-part series from reader Hervé Delétraz of Switzerland, who is chronicling the development of his DIY (do-it-yourself) audio amplifier. (Part One is here.)
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Jon Iverson Posted: Sep 03, 2000 0 comments
Spotting another online niche, announced the debut of last week. The new site is aimed at custom installers. claims that is the first "comprehensive national, Internet-centric marketplace to offer custom electronic design and installation professionals access to leading audio/video products, information, and installation support."
Larry Greenhill Posted: Sep 01, 2000 0 comments
Bright April Sunday sunshine beams through the bay window of my listening room. The light catches four loudspeakers on stands, two stacks of electronic equipment, a small video monitor, black cables strung behind furniture, and a pile of freshly opened DVDs. I sit in the center in a large, overstuffed chair covered in blue velvet, listening to an array of six loudspeakers and a TV monitor playing The Haunting's DTS soundtrack. The floor rumbles as the sounds of creaking timbers come up from below.
Brian Damkroger Posted: Aug 31, 2000 0 comments
Bonnie and I decided to avoid the crowds last weekend, and instead settled in at home to watch the recent remake of Great Expectations, with Ethan Hawke and Gwyneth Paltrow. It seemed like a pretty good movie, but before long I found my thoughts drifting to the review I had in progress: my audition and analysis of the Magnepan Magneplanar MG3.6/R. True, Great Expectations is a little slow, and a few explosions or car chases might have better held my attention, but if ever there was an audio product to which the phrase "great expectations" applied, it's the Magnepan 3.6/R.
David Patrick Stearns Posted: Aug 30, 2000 0 comments
MAHLER: Symphony 6
Manhattan School of Music Symphony Orchestra, Glen Cortese (cond.)
Titanic 257 (CD). 2000. Charles G. Thomas, exec. prod., Jerry Bruck, eng., Michael Karas and Eric Wagner, assoc. engs. AAD? TT: 76:27
Performance: ****?
Sonics: *****
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Barry Willis Posted: Aug 29, 2000 0 comments
The public auction of the assets of Wadia Digital Corporation has been postponed for at least two weeks, according to an employee of the Minneapolis law firm Siegel, Brill, Greupner, Duffy & Foster, P.A., which is handling the liquidation.


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