LATEST ADDITIONS

Filed under
Barry Willis Posted: May 28, 2000 0 comments
Will the European Union extend copyright protection to new digital media? That question was still unresolved Friday, May 26, after extended talks between ministers of the EU's 15 member nations failed to produce a coherent result. Meeting in Brussels, the ministers have been discussing how best to protect the interests of copyright holders while allowing consumers adequate leeway to use and reproduce legally purchased music, movies, video, and computer software.
Filed under
Barry Willis Posted: May 28, 2000 0 comments
The Secure Digital Music Initiative's move to establish a copy-prevention technology for commercial recordings has rankled audio engineers, who claim that the audible watermarking technique chosen by the organization could mar high-resolution recordings. Of particular concern are SDMI's testing methods and its rush to get a standard in place without commentary from engineers or the music-buying public.
Filed under
Jon Iverson Posted: May 28, 2000 0 comments
Last year, Stereophile's Barry Willis took a trip to Ogden, Utah, to report on what was then a secret speaker project being conducted by Kimber Kable's Ray Kimber and designer Eric Alexander. After informal listening, Willis noted that, while not being able to completely nail down what the "under development" DiAural crossover circuitry was doing, something new was certainly in the air.
Robert Baird Posted: May 28, 2000 0 comments
DR. JOHN: Duke Elegant
Blue Note 5 23220 2 (CD). 2000. Mac Rebennack, prod.; Suz Dyer, eng.; Steve Revitte, Tovi Rodriguez, asst. engs. AAD? TT: 66:40
Performance ****?
Sonics ****?
Filed under
Barry Willis Posted: May 27, 2000 0 comments
"But I want to buy Thiel loudspeakers over the Internet!" cried an insistent music lover from the back of the room.
Filed under
John Atkinson Posted: May 23, 2000 0 comments
"I don't believe it!"
Filed under
Jon Iverson Posted: May 21, 2000 0 comments
In an effort to smooth the way for websites that wish to legally reproduce copyrighted music, BMI announced last week that it has now become the world's largest online digital rights management company with the launch of its Digital Licensing Center (DLC) and "Klick-Thru" online copyright licensing system. The company says that the DLC is intended to help Internet companies digitally obtain a music-performance license through BMI.com, allowing them to publicly "perform" any of BMI's 4.5 million copyrighted works from its 250,000 songwriters, composers, and music publishers.
Filed under
Stereophile Staff Posted: May 21, 2000 0 comments
The Consumer Electronics Association (CEA) reports that factory-to-dealer sales of audio products soared in March, with dollar volume increasing by 14% over March 1999, to a total of more than $721 million. According to the CEA, sales in the first quarter of this year were 10% ahead of first-quarter 1999, at approximately $1.75 billion.
Filed under
Barry Willis Posted: May 21, 2000 0 comments
The gold rush is on in the wake of a Federal Trade Commission decision effectively ending the music industry's policy of minimum advertised pricing (MAP) on compact discs. Attorneys in California and New York wasted no time in filing class-action lawsuits against the music industry's major conglomerates, following the FTC's announcement May 10 that it had reached a negotiated settlement with them over a longstanding noncompetitive pricing policy.
Filed under
Stereophile Staff Posted: May 21, 2000 0 comments
Jonathan Scull stuffs as many "relatively inexpensive" building tweaks as he can fit into "Fine Tunes" #21. Find out about basic room and electrical treatments on the relative cheap.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading