LATEST ADDITIONS

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Barry Willis Posted: Apr 13, 2003 0 comments
If a recent announcement by the nation's largest radio broadcaster is any indication of a trend, independent music promoters may be on their way to extinction.
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Barry Willis Posted: Apr 13, 2003 0 comments
A month after news of Apple Computer's start-up subscription music service, reports began circulating that the company was negotiating to buy Universal Music Group, the dominant player in the global music market. The rumored buyout, first reported April 10, was variously quoted at $5–6 billion. The discussions between Apple and UMG may have been blown out of proportion; by April 12 the New York Times was suggesting that Apple might invest in UMG, but was in no position to make an outright acquisition.
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Stereophile Staff Posted: Apr 13, 2003 0 comments
Michael Fremer almost grasps upsampling when he looks into the dCS Verdi SACD transport, Purcell D/D converter, and Elgar Plus D/A converter. MF notes, "Explaining what you get for your $34k is somewhat easier than explaining upsampling, but due to the dCS gear's enormous flexibility and multitude of features, it's not that much easier."
Robert J. Reina Posted: Apr 13, 2003 0 comments
It was 20 years ago today that Sgt. Michaelson taught the band to play. I was living in London when Antony Michaelson launched Musical Fidelity in an attempt to make a major statement in the area of affordable, high-quality, high-value electronics. Other Brits at the time were doing the same—companies such as Creek, A&R Cambridge (now Arcam), and DNM began to compete for the destitute audiophile's dollar.
Paul Bolin Posted: Apr 13, 2003 0 comments
How did Michael Jordan, talented as he was at the peak of his powers, always manage to impose his will on his teammates to push them to victory when it counted most? What made Sandy Koufax able to elevate his pitching to a superhuman level when the stakes were highest? A knowledgeable, hardcore sports fan can watch the performance of two players with nearly identical statistics and, after not too long, tell you which one is merely very good and which one is great. What makes a star are intangibles—those qualities you can't quantify or analyze, but can't help but recognize when you're in their presence.
Michael Fremer Posted: Apr 13, 2003 0 comments
Well into dCS managing director Mike Story's attempted explanation of upsampling, there came an epic moment when the ever-expanding universe of his thoughts—which we had been following to new heights of digital enlightenment—broke free of our collective grip, snapped back on itself, and caused a conceptual implosion of nearly cataclysmic proportions. The blank, spent expressions on the faces of the journalists gathered in the small attic-like meeting room at dCS's Great Chesterford (UK) facility all seemed to say, "What the hell was that? Was it just me, or did you feel that too?"
Art Dudley Posted: Apr 13, 2003 0 comments
We were having trouble with the power in our home—the wall current, I mean, not the dynamics of our marriage—so I called the local utility. While the technician was here, he let me watch what he was doing. I had a chance to look inside our meter box, which is the junction between the utility's power lines and the circuit-breaker box in the cellar.
Robert Baird Posted: Apr 13, 2003 0 comments
ROSANNE CASH: Rules of Travel
Capitol CDP 8 37757 (CD). 2003. John Leventhal, prod., eng. AAD. TT: 39:07
Performance *****
Sonics ****
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Barry Willis Posted: Apr 06, 2003 0 comments
Webcasters will pay a new royalty rate to the recording industry, as of April 3.
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Stereophile Staff Posted: Apr 06, 2003 0 comments
Back in 1996, Martin Colloms reviewed the Krell KAV-300i integrated amplifier, asking, "Is Krell risking its reputation?" He needn't have worried, as the 300i has gone on to become a popular audiophile classic.

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