LATEST ADDITIONS

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John Atkinson Posted: Jan 02, 2000 0 comments
The January 2000 issue of Stereophile is actually the last to be published in 1999, so, at the risk of adding to your millennial fatigue (footnote 1), it is appropriate to devote much of this month's magazine to navel-gazing. Robert Baird, Chip Stern, David Patrick Stearns, and Larry Birnbaum examine the state of recorded music, while in the first of two articles, Markus Sauer questions the beliefs that underpin the audiophile world. And this "As We See It" offers an overview of what used to be called "high fidelity."
Michael Fremer Posted: Dec 27, 1999 0 comments
Nothing like scarcity to create demand, right? Well, there's been a scarcity of Nuvistors out there for decades, and hardly any demand. Do you know about the Nuvistor, aka the 6CW4? It was a tiny triode tube smaller than your average phono cartridge. Enclosing its vacuum in metal rather than glass, the Nuvistor was designed as a long-lived, highly linear device with low heat, low microphony, and low noise---all of which it needed to have any hope of competing in the brave new solid-state world emerging when RCA introduced it in the 1960s.
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Jon Iverson Posted: Dec 26, 1999 0 comments
In a move that is sure to enrage users of blank digital media, Canada's Copyright Board has finalized plans to add a levy of 5.2 Canadian cents on CD-Rs and CD-RWs, 23.3 cents on audio cassettes over 40 minutes in length, and 60.8 cents on MiniDiscs and recordable audio CDs. In a market in which blank CD-Rs used for computer backup typically cost less than C$1 each, this represents an increase of at least 5% per disc. Interestingly, DAT tapes are excluded from the tax, as they are not seen as a threat to the music business.
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Barry Willis Posted: Dec 26, 1999 0 comments
Do high-end cables make an audible difference? Or are they cosmetic enhancements, like fancy wheels on high-performance cars? The New York Times, the nation's foremost newspaper, took up the issue in a December 23 piece in "Circuits," its weekly technology section.
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Stereophile Staff Posted: Dec 26, 1999 0 comments
FireWire's prospects got a little hotter last week, as equipment manufacturers Denon Electronics and Onkyo announced new license agreements with Digital Harmony Technologies. The companies say that they have selected Digital Harmony to add standards-based IEEE-1394 (aka FireWire or iLink) interfaces to their product lines, and both companies expect to release Digital Harmony-powered products in 2000, each certified for compatibility with a number of 1394-based products made by other Digital Harmony partners in the US and Europe.
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Barry Willis Posted: Dec 26, 1999 0 comments
Despite the recent defeat of DVD-Audio's copy-protection scheme (see previous story), Pioneer Electronics has decided to move forward with its plan to release two models of its high-resolution players in Japan. The announcement was made December 14 by company executives in Tokyo, who said that delaying the format's launch at this late stage could do irreparable damage to its acceptance by music fans. Super Audio Compact Disc, a competing format developed by the Sony/Philips alliance, is already beginning to win converts.
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Barry Willis Posted: Dec 19, 1999 0 comments
We've all heard of the entrepreneur who liked a product so much that he bought the company. Such bold steps are sometimes wildly successful. Case in point: Mark Levinson and his high-end startup, Red Rose Music.
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Stereophile Staff Posted: Dec 19, 1999 0 comments
Last week, Cello Technologies (formerly Cello Music & Film Systems) announced that it had acquired San Francisco Bay area custom installer and retailer The Audible Difference. According to a statement issued by Cello, The Audible Difference was founded in Palo Alto in 1976 and serves over 10,000 clients in the Silicon Valley area, and has 30 employees, "all focusing on audio design and home-systems design engineering, integration, and automation technologies."
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Barry Willis Posted: Dec 19, 1999 0 comments
Almost beaten to death in the past couple of years by salesfolk, pundits, and journalists, "convergence" has been applied to the coming-together of audio and video, analog and digital, hardware and software, information and entertainment, and Democrats and Republicans. Among all these merging trends, the audiophile community rarely hears about the convergence of pro audio with the High End.
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Stereophile Staff Posted: Dec 19, 1999 0 comments
A common question in the audio newsgroups these days is, "Have you tried the new PS Audio Power Plant, and what did you think?" Stereophile's Robert Deutsch takes a seasoned look at the new product in his review of the PS Audio P300 Power Plant. Does it live up to all of the hype, and is it true that the P300 is "audaciously original in concept, yet makes so much sense that you wonder why no one ever thought of it before?" Mr. Deutsch explains.

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