LATEST ADDITIONS

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Jon Iverson Posted: Aug 01, 1999 0 comments
Time for early-adopter audiophiles to start saving those pennies. Panasonic has just announced delivery dates and suggested pricing for two DVD-Audio players: the Panasonic DVD-A7 and the Technics DVD-A10. Beginning this October, Panasonic says that both models will be shipped to dealers nationwide, with the DVD-A7 retailing at $999.95 and the DVD-A10 checking in at $1199.95.
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Barry Willis Posted: Aug 01, 1999 0 comments
Last year the music industry was jolted from its complacency by the rise of MP3, a scheme for the quick and easy transfer of digital audio files over the Internet. Legal attempts to block the format as a form of copyright violation failed, and the industry began scrambling to find a way to prevent the wholesale piracy of higher-resolution formats to come. The Secure Digital Music Initiative (SDMI), an alliance of more than 240 hardware, software, and music-publishing companies, has been working overtime trying to develop an unobtrusive technique for preventing unauthorized copying—something that digital technology is making easier than ever.
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Stereophile Staff Posted: Aug 01, 1999 0 comments
While recording the Encore CD for Stereophile, John Atkinson had to decide: "Should I add some artificial reverberation?" After much gnashing of teeth, he plowed ahead. Read about the process in "Encore," an in-depth look at the recording techniques, the artists, and the music.
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Jon Iverson Posted: Aug 01, 1999 0 comments
The DVD Forum announced July 28 that it will start verification services for products based on the DVD-Audio format (see previous article) at some of its authorized DVD Format Verification Laboratories starting September 1999. According to the Forum, format verification is conducted to establish the conformity of DVD products with DVD formats created by the DVD Forum, and allows manufacturers of successfully tested products to use DVD logos as proof of conformity.
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Robert Rich Posted: Aug 01, 1999 0 comments
Pauline Oliveros calls it "deep listening"—a way to pay attention to the sensual qualities of sound itself. Welcome to a world of music that defies categorization, that invites a listener to soak slowly into a deep and otherworldly zone. This music goes by many names: ambient, spacemusic, electronica, sacred music, tribal/trance. Alas, you'll often find it hiding in the New Age section. Unlike some fluffier New Age fare, good ambient albums can explore the deeper, more solitary spaces. At its best, ambient music can sensitize you to sound in unique ways. It can enlarge your listening space to cavernous dimensions, paint hallucinogenic sonic landscapes, summon primordial forces, or enshroud you in clouds of diffuse vapor.
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John Atkinson Posted: Jul 27, 1999 0 comments
It was the road signs alongside I-44 that first caught my attention, each with its twin supports neatly snapped halfway up. Then I saw the outlet center east of Oklahoma City, smashed flat as if struck by the mother of all baseball bats swung by a careless god.
Robert Levine Posted: Jul 27, 1999 0 comments
MOZART: Così fan tutte
Véronique Gens, Fiordiligi; Bernarda Fink, Dorabella; Werner Güra, Ferrando; Marcel Boone, Guglielmo; Pietro Spagnoli; Graciela Oddone, Despina; Kölner Kammerchor, Concerto Köln, René Jacobs
Harmonia Mundi 951663.65 (3 CDs). 1999. Barbara Valentin, artistic dir.; Mark Hohn, eng. DDD. TT: 3:21:09
Performance *****
Sonics *****
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Jonathan Scull Posted: Jul 27, 1999 0 comments
So where and on exactly what should you plunk your precious audiophile components when you get them home? And why even bother?
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Jon Iverson Posted: Jul 25, 1999 0 comments
The Secure Digital Music Initiative (SDMI) appears to be the antidote to many a record executive's worst audio poison: legions of young music fans downloading digital audio files off the Internet and passing them around with no regard to copyright restrictions. But what might be the answer to some companies' prayers could prove to be the Big Brother nightmare feared by others.
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Stereophile Staff Posted: Jul 25, 1999 0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.

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