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Here at Stereophile we like to measure things. Part of that is because we can, of course—and that's another reason why we love the Internet. We have no way of knowing how many times our readers re-read certain articles, nor do we know how many different readers look at any given issue, but on the web, we can at least count the page views. Yes, we know that there are some uncertainties about that metric, too, but we can count it, so we do.

"Fellas I'm ready to get up and do my thing. I want to get into it man, you know. Like a, like a sex machine man. Moving. Doing it you know. Can I count it off. One!! Two!! Three!!"—"Get Up (I feel like being a) Sex Machine."

In some ways, building an inexpensive yet musical two-way loudspeaker is a greater design challenge than creating a cost-no-object reference product. Although the latter is a much more complex endeavor, the venerable two-way box seems to bring out the creativity and resources of the designer. Rather than throw money at the product in the form of more expensive drivers, enclosures, or components, the designer of a low-cost two-way is forced to go back to the basics, rethink closely-held tenets, and rely on ingenuity and sheer talent to squeeze the most music from a given cost. Consequently, the inexpensive two-way is the perfect vehicle for designers to develop their skills. If one has mastered this art form, one is much more likely to achieve success when more ambitious designs are attempted.