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Jon Iverson Posted: Oct 24, 1999 0 comments
These are perilous times for the independent audio dealer. With customers being siphoned off by large megastores and, eventually, the Internet, success will favor the dealer with a few clever tricks up his or her sleeve. One of those tricks for dealers in Dallas, Texas is a new group formed by Stephen Slaughter of The Audio Consortium.
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Barry Willis Posted: Oct 17, 1999 0 comments
It's five years from now. Wide bandwidth has made audio-on-demand as commonplace as ATM machines and cellular phones were in 1999. Music lovers can plug into the Internet from almost anywhere and download any tunes they wish to hear anytime they wish to hear them for only pennies per song. Portable devices the size of wristwatches contain entire libraries of music. Picture frames, computer screens, and ceiling tiles all double as loudspeakers. Intuitive programs suggest personal playlists based on databases of prior requests. People are awash in a sea of music.
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Stereophile Staff Posted: Oct 17, 1999 0 comments
One of the most amazing things about the march of technology is the way quality goes up as prices go down. Only a few years ago, CD recorders were among the rarest and most expensive audio components. Now they're beginning to appear at budget prices.
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John Atkinson Posted: Oct 17, 1999 0 comments
I am sad to say that Larry Archibald's "The Final Word" column in the November issue, posted this week in this website's "Archives" section, is his last. When Larry, Stereophile's publisher emeritus, resigned from his salaried position at Emap Petersen at the end of June, he and I had envisaged him continuing to contribute "The Final Word" to the magazine.
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Stereophile Staff Posted: Oct 17, 1999 0 comments
Madrigal Audio Labs designed the original Mark Levinson No.30 nearly 10 years ago with the idea that, as a Reference Series product, it would never be made obsolete. John Atkinson reviews the No.30's latest upgrade, the Mark Levinson No.30.6 Reference D/A processor, after sending his personal unit from 1992 back to the factory for the required work. What he got back included new D/A converters in the unit's twin towers. Was it worth the effort, and does this processor still define the state of the art? You'll want to read his report to find out.
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Jon Iverson Posted: Oct 17, 1999 0 comments
Trying to get a grip on where the new high-end audio formats, DVD-Audio and SACD, might be going? A logical place to start might be to check with the factories getting ready to crank out the discs and see how the orders have so far stacked up. After conducting just such a survey, the International Recording Media Association (IRMA) released last week the first projections for next year's worldwide marketplace introduction of DVD-Audio and SACD.
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Barry Willis Posted: Oct 17, 1999 0 comments
In recent years, format-driven commercial radio has pushed opera off its playlists. The few remaining classical stations concentrate on the standard symphonic repertoire with only an occasional foray into opera, to the dismay of the genre's many fans.
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Jon Iverson Posted: Oct 17, 1999 0 comments
One by one, the name brands of audio are confronting the difficult issue of whether or not to take their products online. Recent brands to join the club include Roksan, Chord Electronics, Harman/Kardon, and PS Audio. Now it's time to add one of audio's deeply rooted loudspeaker marques, Celestion, to the list.
John Atkinson Posted: Oct 17, 1999 0 comments
The Mark Levinson No.30 has enjoyed a continuing residence in Class A of Stereophile's "Recommended Components" listing since it was reviewed in our February 1992 issue (Vol.15 No.2). Madrigal includes the No.30 in its "Reference" series, by which they mean that the unit will not become obsolete. Thus, when new technology became available, the No.30.5 update was introduced, consisting of a single digital-receiver printed circuit board to replace the original's three boards, and a new digital-filtering board. This revision was favorably reviewed by Stereophile in October 1994 (Vol.17 No.10).
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Stereophile Staff Posted: Oct 10, 1999 0 comments
In his review of the Wadia 830 CD player, Brian Damkroger states: "My take on the Wadia was that: a) it probably wasn't going to sound that much better than the best of the $1000-ish players I had around, and b) even if it did, the differences wouldn't matter enough to me to justify its cost. My audio path took a dramatic turn one weekend, however, when a pair of cable manufacturers stopped by to demo their new products." Read about his journey and the ultimate audio destination will be revealed.

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