LATEST ADDITIONS

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Barry Willis Posted: Oct 24, 1999 0 comments
The man who signed the Beatles to their first recording contract has joined garageband.com, an online venture for musicians. On October 21, the San Francisco-based website announced that Sir George Martin has assumed the position of chairman of its advisory board. The board's membership includes some of the music industry's best-known professional and creative talent, according to garageband.com co-founders Tom Zito and Jerry Harrison.
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Stereophile Staff Posted: Oct 24, 1999 0 comments
Steven Stone writes that "the Signature SC-VI is probably the most 'anti-tweak' flagship high-end speaker ever made." In his very thorough review of the Dunlavy Audio Labs Signature SC-VI loudspeaker, Stone details this legendary audiophile favorite from top to bottom. Is it the perfect speaker? Stone lays down his verdict, and more.
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Jon Iverson Posted: Oct 24, 1999 0 comments
Last week, WorldSpace announced that it has launched what it describes as "the world's largest digital audio broadcast system." The new system is based on a satellite radio service that recently began transmitting a wide array of multilingual radio programming across the entire African continent.
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Jon Iverson Posted: Oct 24, 1999 0 comments
These are perilous times for the independent audio dealer. With customers being siphoned off by large megastores and, eventually, the Internet, success will favor the dealer with a few clever tricks up his or her sleeve. One of those tricks for dealers in Dallas, Texas is a new group formed by Stephen Slaughter of The Audio Consortium.
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Barry Willis Posted: Oct 17, 1999 0 comments
It's five years from now. Wide bandwidth has made audio-on-demand as commonplace as ATM machines and cellular phones were in 1999. Music lovers can plug into the Internet from almost anywhere and download any tunes they wish to hear anytime they wish to hear them for only pennies per song. Portable devices the size of wristwatches contain entire libraries of music. Picture frames, computer screens, and ceiling tiles all double as loudspeakers. Intuitive programs suggest personal playlists based on databases of prior requests. People are awash in a sea of music.
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Stereophile Staff Posted: Oct 17, 1999 0 comments
One of the most amazing things about the march of technology is the way quality goes up as prices go down. Only a few years ago, CD recorders were among the rarest and most expensive audio components. Now they're beginning to appear at budget prices.
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John Atkinson Posted: Oct 17, 1999 0 comments
I am sad to say that Larry Archibald's "The Final Word" column in the November issue, posted this week in this website's "Archives" section, is his last. When Larry, Stereophile's publisher emeritus, resigned from his salaried position at Emap Petersen at the end of June, he and I had envisaged him continuing to contribute "The Final Word" to the magazine.
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Stereophile Staff Posted: Oct 17, 1999 0 comments
Madrigal Audio Labs designed the original Mark Levinson No.30 nearly 10 years ago with the idea that, as a Reference Series product, it would never be made obsolete. John Atkinson reviews the No.30's latest upgrade, the Mark Levinson No.30.6 Reference D/A processor, after sending his personal unit from 1992 back to the factory for the required work. What he got back included new D/A converters in the unit's twin towers. Was it worth the effort, and does this processor still define the state of the art? You'll want to read his report to find out.
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Jon Iverson Posted: Oct 17, 1999 0 comments
Trying to get a grip on where the new high-end audio formats, DVD-Audio and SACD, might be going? A logical place to start might be to check with the factories getting ready to crank out the discs and see how the orders have so far stacked up. After conducting just such a survey, the International Recording Media Association (IRMA) released last week the first projections for next year's worldwide marketplace introduction of DVD-Audio and SACD.
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Barry Willis Posted: Oct 17, 1999 0 comments
In recent years, format-driven commercial radio has pushed opera off its playlists. The few remaining classical stations concentrate on the standard symphonic repertoire with only an occasional foray into opera, to the dismay of the genre's many fans.

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