LATEST ADDITIONS

Filed under
Fred Kaplan Posted: Apr 16, 2016 2 comments
First things first. Yes, Dave Douglas named his new album, Dark Territory, after my new book of the same title. This may seem odd: my book is about the history of cyber war; Douglas' album is a deep-dive exploration of improvisation, composition, and technology in the risky corners of jazz and electronica. But in an email sent out by his self-owned label, Greenleaf Music, he explains that both works are about "similarly mysterious murky waters of underground activity" and that he found my title fitting because, like the characters in my book, he and his band are "playing through a similar territory without rules where the dangers and challenges of technology are much greater than normal."
Filed under
Stereophile Staff Posted: Apr 14, 2016 0 comments
First, The Audio Salon (Bergamot Station, 2525 Michigan Avenue, Unit F1, Santa Monica, CA 90404) is hosting a special Nagra event Saturday, April 16, from 4pm–8pm.

Second, Evolution Audio & Video (5341 Derry Avenue, Suite S, Agoura Hills, CA 91301) is hosting MartinLogan events on Friday April 15 (noon–6pm) and Saturday April 16 (noon–5pm).

Thomas J. Norton Posted: Apr 13, 2016 Published: Oct 01, 1990 1 comments
Audio journalists tend to wander the corridors of a CES in a minor state of shell-shock. There are no carnival-barkers outside the rooms enticing one to enter (not yet, at any rate), but the sounds and reputations oozing from the open doorways yield little to the "hurry, hurry, hurry" crowd. The Signet room has always, it seems, been one of the quieter oases, often eschewing sound altogether while contentedly displaying their phono cartridges, cables, and various accessories. On a recent CES hunt, I was therefore intrigued to find them demonstrating two new loudspeakers, of all things, to the milling throngs.
Robert Harley Posted: Apr 13, 2016 Published: Dec 01, 1995 0 comments
Of all the products I've reviewed or auditioned, a select few jump out as "best buy" recommendations. Almost universally, such products are liked by a wide range of audiophiles, and seem to match well sonically to many systems. Moreover, these products all have outstanding value; they offer a higher level of musical performance than you'd expect from the price.
J. Gordon Holt Posted: Apr 12, 2016 Published: May 01, 1966 0 comments
Editor's Note from 1974: As you can read in the following "As We See It," the last issue of Vol.1 No.12 (cover dated "Spring 1966") was perhaps not as "strong" as it might have been. If we had been doing things according to Proper Business Practice, we should have held back our best articles and our gutsiest reports until that issue, as a high-powered incentive for our subscribers to renew their subs. We didn't. There were better articles and a greater variety of topics covered in earlier issues, but Issue 12 was significant in that it set the pattern of topic emphasis, and the balance of reports versus other editorial material, that was to continue more or less unchanged for the next 7 years.
Dick Olsher Posted: Apr 12, 2016 Published: Oct 01, 1990 0 comments
You don't have to be a seasoned speaker builder to recognize the Focal name. For years they've offered the home constructor a full assortment of quality drivers and kits. The kits were designed in-house—mostly by Focal in France—and, according to Focal, they represent fully engineered and tested systems. The Aria kits (the 5 and the 7), depart from Focal's past policy, in that the project was a collaborative design effort between Dr. Joe D'Appolito and Focal America. Focal's main contribution was in the area of cabinet development, while D'Appolito was responsible for the system integration and crossover design.
Filed under
Stereophile Staff Posted: Apr 12, 2016 1 comments
On Saturday, April 16, beginning at 9:30am, NYC audio retailer In Living Stereo (2 Great Jones Street, New York, NY 10012) is celebrating Record Store Day with a day of in-store performances, shopping for limited-edition RSD releases, and special giveaways.
Filed under
Jason Victor Serinus Posted: Apr 11, 2016 3 comments
111 seems to be the magic number for AXPONA 2016, aka Audio Expo of North America. Taking place April 15–17 in the Westin O'Hare in Rosemont, IL (near Chicago's O'Hare airport), AXPONA promises 111 exhibit rooms, including 29 larger meeting spaces which sometimes house multiple systems. AXPONA will also host 111 booths and table displays, with a good 50 of those located in the Ear Gear Expo. All told, the show will feature products from 375 brands, most of which will sing away every day starting at the mercifully civilized hour of 10am.
Filed under
Jason Victor Serinus Posted: Apr 08, 2016 8 comments
Prediction: The visionary new music, system-testing percussion, and virtual rainbow of colors that distinguish Dawn to Dust, the latest hybrid SACD in Reference Recordings' Fresh! series, guarantee that it will become a hit among music-loving audiophiles who dare play tracks beyond 3 minutes in length. The inventive genius that courses through the recording's three compositions—Control (Five Landscapes for Orchestra) by Nico Muhly, 34; Switch by Andrew Norman, 37; and Eos (Goddess of the Dawn), a ballet for orchestra by Augusta Read Thomas, 52—is, in and of itself, enrapturing, formidable, and breathtaking. But when combined with the spectacular coloristic and percussive effects captured by the Soundmirror engineering team, you have a recording virtually certain to earn Dust to Dawn at least one Grammy nomination and countless airings at audio demos.

Pages

X