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Stereophile Staff Posted: May 18, 2003 0 comments
Several readers have been asking "What's with all of the Musical Fidelity reviews in Stereophile?" Michael Fremer fearlessly wires the Musical Fidelity Tri-Vista SACD player into his system, noting, "Overachievers tend to rankle people after a while."
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John Atkinson Posted: May 18, 2003 0 comments
The June issue of Stereophile, which hits newsstands this week, spills some ink on the 30th-anniversary reissue of Pink Floyd's Dark Side of the Moon as a two-layer Super Audio CD (Capitol CDP 582136 2). Jon Iverson nominated the disc as June's "Recording of the Month," while I mentioned it in my "As We See It" column. This "fully loaded" SACD includes both multichannel and two-channel mixes encoded with the DSD system on a high-rez SACD layer and a two-channel "Red Book" transfer (16-bit word length, 44.1kHz sampling) on its CD layer.
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Barry Willis Posted: May 18, 2003 0 comments
Satellite radio services appear to be gaining sufficient market momentum to get them over the startup hump.
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Jon Iverson Posted: May 18, 2003 0 comments
Audiophiles will get a rare opportunity to discover the similarities and differences between SACD reproduction and the real thing at this year's Home Entertainment 2003 show in San Francisco. Diversity Records, Ltd. has announced it will record two performances by its artists at HE2003 on June 7 (1–4:30pm).
Michael Fremer Posted: May 18, 2003 0 comments
Overachievers tend to rankle people after a while. Musical Fidelity, a relatively small British company run by Antony Michaelson, has issued a stream of high-performance, high-value electronic products over the past few years, along with a limited-edition line of pricier designs based on the military-spec nuvistor vacuum tube. With few exceptions, Musical Fidelity products have garnered outstanding reviews worldwide, with consumer acceptance to match. Michaelson is also an accomplished clarinetist, recording and issuing classical-music CDs in his "spare" time.
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John Marks Posted: May 18, 2003 0 comments
Poetry, painting, and sculpture must lie, but they should lie with grandeur, charm, and splendor.—Napoléon I
Brian Damkroger Posted: May 18, 2003 0 comments
I was in a jam. John Atkinson was gently reminding me of rapidly approaching deadlines, and my longtime reference CD player, the Simaudio Moon Eclipse, had just been recalled for an upgrade. This wouldn't normally have been a problem, but I was also in the middle of relocating from New Mexico to California, and all of my backup gear was either in storage or on a moving truck somewhere.
John Atkinson Posted: May 18, 2003 0 comments
With hindsight, one of the sideways steps taken by the High End in the early 1990s was the splitting of CD players into separate transports and processors. There were good reasons for this development, not the least of which was the flowering of creativity it engendered in high-end audio engineers. Having open access to the digital audio data also made possible effective digital equalizers and room-correction processors, but in the rush to increase a system's component count, it was overlooked for too long that keeping everything in one box offered certain advantages.
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Barry Willis Posted: May 11, 2003 0 comments
Apple's unexpected initial success with its iTunes subscription music service shocked and pleased many in the music industry—and appears likely to prompt a rash of imitators.
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Stereophile Staff Posted: May 11, 2003 0 comments
For Listening #5, Art Dudley tackles audio moderation, Lowther Land, and the audio puritans spying on the nudists next door. AD also explains the statement, "Just because I have a job in the lunch line doesn't mean I have to keep serving the kid who shows off for his friends by spitting out his food."

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