LATEST ADDITIONS

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Jon Iverson Posted: Sep 23, 2001 0 comments
Bringing old albums out of the vaults and onto the market as CDs is a pretty standard process these days. First you get the licensing straightened out, find the original cover art, and locate the first-generation master tapes. In a pinch, the safety copies of the masters can be used, but if these also can't be located, what next?
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Stereophile Staff Posted: Sep 23, 2001 0 comments
A comprehensive set of reviews awaits those interested in learning everything there is to know about the legendary Quad ESL-63 loudspeaker. Writers checking in with analysis, background, and opinion include J. Gordon Holt, Anthony H. Cordesman, Sam Tellig, Martin Colloms, Larry Greenhill, and John Atkinson.
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Jonathan Scull Posted: Sep 23, 2001 0 comments
Last month I wrote about lasers of various pedigrees, so useful in marking walls to the sides and behind the listening position to ensure that your loudspeakers are toed-in, level, and equidistant from the sweet spot for best soundstage, imaging and focus. Using small Avery stick-'em labels makes this a snap. I've converged the tweeter axes of my JMlab Utopias somewhere about a foot into the wall behind the rearmost of our two listening chairs, and use two Studio Traps and a single Argent RoomLens between the speakers to cancel and damp the near-rear-wall reflections. With just a jiggle of the chair back or forward, suddenly I'm there.
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Stereophile Staff Posted: Sep 17, 2001 0 comments
There is an overwhelming amount of pop music available on the Internet, but where does the serious music fan go in search of jazz, classical, or opera?
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Jon Iverson Posted: Sep 16, 2001 0 comments
As a result of the terrorist attacks last week, the Audio Engineering Society (AES) has decided to postpone its AES 111th Convention until November 30. The annual audio event, which was to have been held this week in Manhattan at the Jacob Javits Convention Center, will now be held Friday, November 30–Monday, December 3, 2001. The AES says that the convention will use the same exhibit, demo, and conference space as would have been used next week.
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Jon Iverson Posted: Sep 16, 2001 0 comments
In the wake of last week's disasters in New York, Washington, DC, and Pittsburgh, Audio Asylum and Audiogon have banded together to co-sponsor a charity auction of audio equipment to benefit the NY Firefighters' Fund and other related charities.
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Stereophile Staff Posted: Sep 16, 2001 0 comments
The number of two-channel Super Audio Compact Discs seems to grow by the week. There are now several hundred titles to choose from—and hundreds on the way, with the recent endorsement of the format by major record labels. Even so, there are still very few SACDs that exploit the multichannel capabilities of Direct Stream Digital.
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Stereophile Staff Posted: Sep 16, 2001 0 comments
Wes Phillips pries a hard-to-acquire Ayre Acoustics V-3 power amplifier out of company hands and puts it to the sonic test. Does the amp live up to its legendary "Best of Show" status? Phillips has the answer.
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Barry Willis Posted: Sep 16, 2001 0 comments
Citing increasing competition from stronger companies and online music ventures about to debut from major record labels, an investment group has taken the drastic step of calling for the sale of Liquid Audio.
John Swenson Posted: Sep 16, 2001 0 comments
AVALON BLUES: A Tribute to the Music of Mississippi John Hurt
Dave Alvin, Beck, Peter Case, Bruce Cockburn, Justin Earle, Steve Earle, Richard Greene, Ben Harper, Alvin Youngblood Hart, John Hiatt, Taj Mahal, Bill Morrissey, Clare Muldaur, Geoff Muldaur, Jenni Muldaur, David Rawlings, Mark Selby, Chris Smither, Gillian Welch, Lucinda Williams, Victoria Williams
Vanguard 79582-2 (CD). 2001. Peter Case, prod.; Francisco Lugo, Dawn Hopkins, Ray Kennedy, Mark Raines, Mark Wilkins, Jeff Landrock, Matt Andrews, David Rawlings, engs. AAD.? TT: 51:29
Performance ****
Sonics ***?

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