LATEST ADDITIONS

Larry Greenhill Posted: Jul 09, 2000 0 comments
When I learned that Madrigal Audio Labs was marketing their first integrated amplifier, the Mark Levinson No.383, I felt this was a big change for the Connecticut company. Mark Levinson literally started the high-end marketing revolution back in the early 1970s by manufacturing cost-no-object separate amplifiers and preamplifiers. The purist designs had one overriding rule: employ the simplest circuit path possible. Each amplifier or preamplifier used only individual circuit-board components (no integrated circuits) and had a minimal number of controls, eschewing elaborate switches and tone controls. Mark Levinson Audio Systems and its successor, Madrigal Audio Laboratories, has continued this philosophy of separate components for the past 25 years.
Chip Stern Posted: Jul 07, 2000 0 comments
SONNY ROLLINS: The Freelance Years
Sonny Rollins, tenor sax; Clark Terry, Kenny Dorham, trumpet; Jimmy Cleveland, trombone; Ernie Henry, alto sax; Thelonious Monk, Hank Jones, Sonny Clark, Wynton Kelly, Gil Coggins, Hampton Hawes, piano; Victor Feldman, vibes; Barney Kessel, Oscar Pettiford, Ray Brown, Paul Chambers, Wendell Marshall, Leroy Vinegar, bass; Max Roach, Shelly Manne, Roy Haynes, Kenny Dennis, drums; Abbey Lincoln, vocals
Riverside 5RCD-4427-2 (5 CDs). 2000. Orrin Keepnews, Lester Koenig, Leonard Feather, original prods.; Eric Miller, compilation prod.; Dave Luke, tape transfers; Kirk Felton, remastering. AAD. TT: 5:58:42
Performance *****
Sonics *****
Michael Fremer Posted: Jul 06, 2000 0 comments
Why would a sharp mind offer a $15,000 integrated digital amplifier to a reviewer who has been characterized in the audio press as the "self-proclaimed Analog Messiah" and a "hyper-Luddite"? That's the first question a self-centered reviewer asks himself. Yours might be: "A $15,000 integrated amplifier from...Sharp?"
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Jon Iverson Posted: Jul 02, 2000 0 comments
With new high-end audio formats hitting the shelves and MP3 and Napster dominating the online music news, developments in the world of radio have taken a back seat lately. But two announcements this week offer a peek at where the broadcast business might be headed.
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Stereophile Staff Posted: Jul 02, 2000 0 comments
The bad news for the music industry: Teenagers bought less music last year, according to a recently released survey commissioned by the Recording Industry Association of America. The good news: Middle-aged folks bought more, according to the same survey.
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Barry Willis Posted: Jul 02, 2000 0 comments
DVD-Audio will soon bring high-resolution multichannel sound to music lovers, but they may be dismayed by the format's several varieties and the semi-compatible hardware that will be needed to play them. That was the impression left by a lecture the last week of June at Dolby Laboratories' Presentation Studio in San Francisco.
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Jon Iverson Posted: Jul 02, 2000 0 comments
DVD-Audio has been "almost here" for so many months that it seemed almost anticlimactic when the first players finally emerged on dealer shelves this week. Late in May of this year, Panasonic announced (see previous story) that they would be releasing two players, one under the Panasonic banner and the other under the company's Technics brand, in July. It looks as if they've finally made good on their promise.
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Jon Iverson Posted: Jul 02, 2000 0 comments
Judging from the e-mails we get, some folks wonder why Stereophile's website continues to cover the advance of such lo-fi formats as MP3 as well as the problems encountered by companies like Napster as they tangle with the music business. But consider this: a new study reports that the market for digital music players will grow to $6.4 billion in 2005—more than 34 times 1999 shipments—which is also nearly 80% of the $8 billion reported for sales of all audio products, including portables, from last year (see previous article).
Robert Deutsch Posted: Jun 30, 2000 0 comments
It may come as a surprise to relative newcomers to the field of audio, but some loudspeaker manufacturers are manufacturers in only a limited sense. They buy drivers, off-the-shelf or custom-built, from companies like VIFA, SEAS, Focal, etc.; cabinets from a woodworking shop; and crossovers from an electronics subcontractor. While the system design will have taken place in-house, actual manufacturing is restricted to assembling the components, perhaps tweaking the crossover, and final QC. Even some highly successful loudspeaker manufacturers use this approach, which can work well as long as the suppliers do their jobs properly.
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Jon Iverson Posted: Jun 25, 2000 0 comments
One can almost imagine how it all started: "Hey, you got a computer in my audio system." "No, you got an audio system in my computer . . . "

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