LATEST ADDITIONS

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Stereophile Staff Posted: Jun 25, 2000 0 comments
The demise of Apogee Acousitics three years ago was one of high-end audio's biggest losses. The company's ribbon loudspeakers were among the best-sounding and best-looking high-fidelity products ever made. What remained of Apogee was picked up by a/d/s/, which at the time made a commitment to supply parts and service for the thousands of speakers in use, but that plan appears to have been abandoned shortly after it was announced. Apogee owners have since had to fend for themselves.
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Barry Willis Posted: Jun 25, 2000 0 comments
For months now, the music industry has concentrated all its legal firepower on Napster, the Silicon Valley–based software company that lets users share music; and against San Diego's MP3.com, which lets users upload their music to a central server and then access it from any Internet-connected computer. As of the end of June, it appears that MP3.com will likely be co-opted by the industry's Big Five until it is no longer a threat—two of the major labels have already settled with the startup—but Napster will fight on.
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Jon Iverson Posted: Jun 25, 2000 0 comments
One can almost imagine how it all started: "Hey, you got a computer in my audio system." "No, you got an audio system in my computer . . . "
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Gigi Krop Posted: Jun 25, 2000 0 comments
It was 2am on January 8, 2000, and I was sitting at the bar of the Paris Hotel in Las Vegas. I'd just arrived for the Consumer Electronics Show and was recovering from a stressful day of travel. The airlines have a new computerized ticketing technology called the "electronic ticket": you get a reservation and a confirmation number, but no physical plane ticket, itinerary, or the feelings of security that accompany those pieces of paper.
John Atkinson Posted: Jun 25, 2000 0 comments
Although Kentucky loudspeaker manufacturer Thiel has produced some standmounted models for home-theater use, all of their serious music speakers have been floorstanders. Enter the PCS: even though styled to match every Thiel speaker since the groundbreaking CS5 of 1989, the 19"-high PCS sits on a stand, not the floor.
John Atkinson Posted: Jun 23, 2000 0 comments
The Mirage OM-6 loudspeaker, from Canadian manufacturer Audio Products International, mightily impressed Stereophile's Tom Norton when he reviewed it back in November 1997. But with its "omnipolar" design and powered woofer, the OM-6 wasn't a speaker for those of us with more conventional tastes in speaker design. So when I heard that Mirage's Ian Paisley was working on a high-performance two-way minimonitor based on the OM-6's drive-unit technology, I asked API's affable PR man, Jeff Percy, for review samples.
Wes Phillips Posted: Jun 22, 2000 0 comments
The Emerson String Quartet defies conventional wisdom. They like to take risks, and they use the adrenaline that creates to hone their music-making to a fine edge.
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Jon Iverson Posted: Jun 18, 2000 0 comments
CD changers holding hundreds of discs at a time have found their place in a sizable percentage of consumer homes, and have proven especially useful in the custom installation market. Fans of these mega-changers love to drop their discs into one place, never having to crack open a CD case again. Drawbacks, however, include not being able to easily move the disc from home to car or portable, and the mechanical whirring and clanking the machines make as they slowly plow through the user's playlist.
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Stereophile Staff Posted: Jun 18, 2000 0 comments
According to numbers just released by the Consumer Electronics Association (CEA), April audio factory-to-dealer sales shot up by 13% to $611 million, representing a year-to-date increase of 10%. The CEA says that audio revenues in all categories except aftermarket autosound experienced double-digit growth in both monthly and year-to-date sales. Aftermarket autosound remained steady, keeping pace with its record-breaking sales in 1999.
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Jon Iverson Posted: Jun 18, 2000 0 comments
When spying this press release a couple of days ago, I had to read it twice—this was too good to be true. A couple of years back in the September 1997 (or as JA likes to put it: Vol.20 No.9) Stereophile "Industry Update," I had reported on the then-discovered "synchronicities" phenomena: playing certain classic rock albums, when sync'ed up with certain classic films yielded several uncanny coincidences twixt music and screen. Watching and listening this way could lead one to almost believe that the albums were created as soundtracks to the films.

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