LATEST ADDITIONS

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Jonathan Scull Posted: Sep 08, 2000 0 comments
Last month I delved into avoiding reflective, parallel-wall slap echoes from ruining your audiophile day. But I've since learned of a perfectly useful workaround that's much less costly and involved than horsing around the Sheetrock. Much to my chagrin, the info came from the same source, George Cardas. When he told me about it, I slapped my forehead so hard I'm sure they heard it in Brooklyn. One caveat: This tweak works best with big, juicy collections of LPs. It could work with CDs...but we'll come to that.
Kalman Rubinson Posted: Sep 08, 2000 0 comments
Prelude
I fell in love with the original Link DAC, as was obvious from my review in the January 1999 Stereophile. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.
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Hervé Delétraz Posted: Sep 03, 2000 0 comments
Editor's Note: This is Part Two of a six-part series from reader Hervé Delétraz of Switzerland, who is chronicling the development of his DIY (do-it-yourself) audio amplifier. (Part One is here.)
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Stereophile Staff Posted: Sep 03, 2000 0 comments
Dynaudio US's president, Al Filippelli, tells Wes Phillips that "Dynaudio speakers are a lot like the Danes who make them. They don't look all that fancy, but they tell the truth and they get the job done. To a lot of audiophiles, that's boring. But there are a lot of people who have been looking for those qualities in a loudspeaker, and for them, boring can be cause for excitement." Phillips takes an in-depth look at the Dynaudio Contour 3.3 loudspeaker to determine if "boring" can make him happy.
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Jon Iverson Posted: Sep 03, 2000 0 comments
Spotting another online niche, Hifi.com announced the debut of CustomHifi.com last week. The new site is aimed at custom installers. HiFi.com claims that CustomHifi.com is the first "comprehensive national, Internet-centric marketplace to offer custom electronic design and installation professionals access to leading audio/video products, information, and installation support."
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Barry Willis Posted: Sep 03, 2000 0 comments
An improved digital-audio compression standard has been adopted by the Bertelsmann Music Group (BMG) and the Universal Music Group for commercial music downloads. "Advanced Audio Coding" (AAC) is said to offer higher audio quality while occupying 30% less bandwidth and storage space than the popular MP3 format, according to an announcement from San Francisco–based Dolby Laboratories.
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Barry Willis Posted: Sep 03, 2000 0 comments
Music lovers who availed themselves of MP3.com's uploading-archiving-and-accessing services are about to become the next target market for the music industry. Nearing the end of protracted litigation brought against it by the music industry's "Big Five," the online music venture has announced a marketing service that will promote new commercial recordings directly to its users through e-mails. The recordings will be on labels under the control of MP3.com's opponents in the year-long copyright wrangle.
Larry Greenhill Posted: Sep 01, 2000 0 comments
Bright April Sunday sunshine beams through the bay window of my listening room. The light catches four loudspeakers on stands, two stacks of electronic equipment, a small video monitor, black cables strung behind furniture, and a pile of freshly opened DVDs. I sit in the center in a large, overstuffed chair covered in blue velvet, listening to an array of six loudspeakers and a TV monitor playing The Haunting's DTS soundtrack. The floor rumbles as the sounds of creaking timbers come up from below.
Brian Damkroger Posted: Aug 31, 2000 0 comments
Bonnie and I decided to avoid the crowds last weekend, and instead settled in at home to watch the recent remake of Great Expectations, with Ethan Hawke and Gwyneth Paltrow. It seemed like a pretty good movie, but before long I found my thoughts drifting to the review I had in progress: my audition and analysis of the Magnepan Magneplanar MG3.6/R. True, Great Expectations is a little slow, and a few explosions or car chases might have better held my attention, but if ever there was an audio product to which the phrase "great expectations" applied, it's the Magnepan 3.6/R.
David Patrick Stearns Posted: Aug 30, 2000 0 comments
MAHLER: Symphony 6
Manhattan School of Music Symphony Orchestra, Glen Cortese (cond.)
Titanic 257 (CD). 2000. Charles G. Thomas, exec. prod., Jerry Bruck, eng., Michael Karas and Eric Wagner, assoc. engs. AAD? TT: 76:27
Performance: ****?
Sonics: *****

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