LATEST ADDITIONS

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Stereophile Staff Posted: Sep 16, 2001 0 comments
Wes Phillips pries a hard-to-acquire Ayre Acoustics V-3 power amplifier out of company hands and puts it to the sonic test. Does the amp live up to its legendary "Best of Show" status? Phillips has the answer.
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Barry Willis Posted: Sep 16, 2001 0 comments
Citing increasing competition from stronger companies and online music ventures about to debut from major record labels, an investment group has taken the drastic step of calling for the sale of Liquid Audio.
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Jon Iverson Posted: Sep 16, 2001 0 comments
As a result of the terrorist attacks last week, the Audio Engineering Society (AES) has decided to postpone its AES 111th Convention until November 30. The annual audio event, which was to have been held this week in Manhattan at the Jacob Javits Convention Center, will now be held Friday, November 30–Monday, December 3, 2001. The AES says that the convention will use the same exhibit, demo, and conference space as would have been used next week.
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Jon Iverson Posted: Sep 16, 2001 0 comments
In the wake of last week's disasters in New York, Washington, DC, and Pittsburgh, Audio Asylum and Audiogon have banded together to co-sponsor a charity auction of audio equipment to benefit the NY Firefighters' Fund and other related charities.
John Swenson Posted: Sep 16, 2001 0 comments
AVALON BLUES: A Tribute to the Music of Mississippi John Hurt
Dave Alvin, Beck, Peter Case, Bruce Cockburn, Justin Earle, Steve Earle, Richard Greene, Ben Harper, Alvin Youngblood Hart, John Hiatt, Taj Mahal, Bill Morrissey, Clare Muldaur, Geoff Muldaur, Jenni Muldaur, David Rawlings, Mark Selby, Chris Smither, Gillian Welch, Lucinda Williams, Victoria Williams
Vanguard 79582-2 (CD). 2001. Peter Case, prod.; Francisco Lugo, Dawn Hopkins, Ray Kennedy, Mark Raines, Mark Wilkins, Jeff Landrock, Matt Andrews, David Rawlings, engs. AAD.? TT: 51:29
Performance ****
Sonics ***?
Jonathan Scull Posted: Sep 14, 2001 0 comments
Every once in a while, a piece of super-esoteric gear crosses my path that, on the face of it, makes no sense whatsoever. Eventually, however, the component is revealed as being "merely" simple and elegant, begging the question: Must it always be done the way it's always been done?
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Barry Willis Posted: Sep 09, 2001 0 comments
Most aspiring musicians dream of the day they will sign a contract with a major record label. Too often, the dreams become nightmares from which they can escape only much later in life.
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Jon Iverson Posted: Sep 09, 2001 0 comments
For the last several months, the major record labels have been ramping up what some have viewed as a stealth assault on their customers by increasingly deploying technology that restricts the use of audio CDs (see previous). While an increasing number of music fans have been crying foul, one consumer has decided to fight back in court.
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Stereophile Staff Posted: Sep 09, 2001 0 comments
In his review of the Toshiba SD-9200 DVD-Audio player, Chip Stern asks the question "In a rollout of new technologies more or less driven by the expectations of the home-theater crowd, what's in it for us music-lovers?" Stern uncovers the answer and then some, while Kal Rubinson explores the player's surround-music performance.
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Jon Iverson Posted: Sep 09, 2001 0 comments
Forget the SACD/DVD-Audio format wars, a more interesting (and potentially more devastating to consumers) battle is brewing among companies racing to add copy protection technology and other restrictions to compact discs.

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