LATEST ADDITIONS

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Barry Willis Posted: Jul 16, 2000 0 comments
Audiophiles have complained since the earliest days of the compact disc that music reissued in the digital format often doesn't sound as good as it does on the original LPs. For nearly 20 years, such complaints have been dismissed by ordinary music lovers and by music-industry executives as the rantings of purists, but at least one major label is now admitting that many early CDs were not very good.
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Jon Iverson Posted: Jul 16, 2000 0 comments
With Napster as the little red devil with a pitchfork prodding them on, the third-largest record company in the world, EMI, making good on its earlier announcement, last week became the first major label to begin releasing music online. In a move the company hopes will silence the critics who say that Napster has become successful because the big labels have provided no Web-based alternatives, EMI put over 100 albums and 40 singles online "through all the normal retail websites."
Chip Stern Posted: Jul 16, 2000 0 comments
As often as not, it ain't the heat—it's the stupidity. When confronted by the smattering of self-referential dilettantes, acrimonious Internut wannabes, and obsessive-compulsive types who suck the air out of our aural fun-house, I find myself overcome with the desire to program my phaser for CLIP.
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Jonathan Scull Posted: Jul 16, 2000 0 comments
I heard the other day from Steve Creamer of Nirvana Audio Cable. Steve had just finished reading May's "Fine Tunes," in which I'd mused further about grounding your audio system.
Richard J. Rosen Posted: Jul 16, 2000 0 comments
Who the heck is this guy? Is he David Johansen, the lipstick-wearing front man of the seminal glam-rock, proto-punk New York Dolls? Is he Buster Poindexter, the pompadoured and tuxedoed "Hot, Hot, Hot" soca stylist? Is he a lounge singer? A Latin artist? Johansen is all of the above, having achieved success in each incarnation.
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Barry Willis Posted: Jul 09, 2000 0 comments
Federal courts long ago established that music fans have certain "fair use" rights when it comes to making copies of recordings they own. They can transfer recordings from one format to another—such as from LP to cassette tape or from CD to MiniDisc—and they can share those recordings with others, provided that the results are only for private, noncommercial use.
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Barry Willis Posted: Jul 09, 2000 0 comments
For technophiles, DVD is the current hot ticket. The compact disc is far from dead, however. The 20-year-old format has been given a new lease on life by Sony Corporation, which in early July announced the development of a new technique that will double the data-storage capacity of recordable CDs.
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Richard L. Hess Posted: Jul 09, 2000 0 comments
Editor's Note: Richard Hess has recently spent time remastering several CDs and wrote about the experience for an engineering newsgroup. We think Stereophile's online readers will find his comments about the process interesting.
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Jon Iverson Posted: Jul 09, 2000 0 comments
Information released last week by NPD Intelect reveals eye-opening statistics about digital audio recorder formats. The numbers show that, from January to May 2000, unit shares of digital recording sales in retail stores were 30.8% for CD recorders (not including computer-based systems), 40.9% for MiniDisc recorders, and 28.3% for MP3 recording devices (also not including computer-based systems).
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Stereophile Staff Posted: Jul 09, 2000 0 comments
Kalman Rubinson had tried to get his hands on the Revel Performa F30 loudspeakers back in January 1999, but was thwarted until later in the year, when J-10 decided to send them his way. Kal was clearly excited about these speakers, and explains in detail exactly why.

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