LATEST ADDITIONS

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Stereophile Staff Posted: Feb 24, 2002 0 comments
Robert Harley analyzed the $1995 McCormack Power Drive DNA-1 power amplifier back in 1992. His goal? To determine if this product "would be a high-end amplifier for Everyman." Reprint includes Kal Rubinson's Y2K experience with the SMc mods for the DNA-1.
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Jon Iverson Posted: Feb 24, 2002 0 comments
Music publishing organizations such as ASCAP and BMI have long worked out licensing deals with radio broadcasters, who pay royalties in exchange for playing music over the air. A US Copyright Office panel is now suggesting that online broadcasters also pay royalties, this time directly to the record labels, in a recommendation that has so far left all parties unhappy, particularly broadcasters.
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Barry Willis Posted: Feb 24, 2002 0 comments
Napster may have finally won a round in court. The Federal District judge in the music industry's ongoing case against the file-sharing service has allowed for the possibility that the plaintiffs may have abused their own copyright privileges in the launch of their online music services, MusicNet and pressplay.
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Jon Iverson Posted: Feb 24, 2002 0 comments
In the record industry's ongoing battle against its customers, score one for the consumer. Amid recent industry rumors that Universal Music Group has retreated from its position of adding restrictions to all of its new CDs, a lawsuit over a Charley Pride release has been settled in California, paving the way to alert the public to playback restrictions on discs.
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Stereophile Staff Posted: Feb 19, 2002 0 comments
Introduction
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Stereophile Staff Posted: Feb 17, 2002 0 comments
Jonathan Scull tackles the Pioneer DV-AX10 SACD/DVD-A/CD player, revealing the strengths and weaknesses of one of the first "universal" disc machines. Scull carefully compares the DV-AX10 to stand-alone SACD, DVD-A, and CD players to assess whether, in fact, you can have it all in one tidy package.
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Barry Willis Posted: Feb 17, 2002 0 comments
Branford Marsalis is unhappy with the music industry. Unlike many of his colleagues, he intends to do something about it.
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Jon Iverson Posted: Feb 17, 2002 0 comments
It's a brave group of souls who run today's audiophile music labels. Sane business minds would likely deem it foolhardy to start a new specialty label these days, but sometimes one's passion for music overrides the rational impulse to try something a little bit more secure (like perhaps an Internet company?).
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Jon Iverson Posted: Feb 17, 2002 0 comments
Just because you're paranoid doesn't mean they're not out to get you. This is especially true for music lovers who have begun to fear that record companies purposely corrupt the data on audio CDs in an effort to restrict their use as a source for copies or MP3 files.
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Barry Willis Posted: Feb 17, 2002 0 comments
Many audiophiles are incensed that the digital outputs on high-resolution disc players are limited to the 16bit/44.1kHz standard of the "Red Book" CD when playing DVD-Audio discs. To read some postings on audiophile newsgroups, you'd think it's a massive conspiracy to prevent people from adding their own processors to the playback chain. Putting as many boxes as possible in an audio system is a constitutionally guaranteed right, isn't it?

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