Corey Greenberg channels his heroes Beavis and Butthead to review the NHT SuperZero loudspeaker and SW2 subwoofer. As CG explains, the NHT may be the first speaker "that really kicks ass—one that offers true high-end, full-range sound, all for under $1000." Huh-huh, huh-huh.
Job cutbacks are one inevitable result of sustained sales declines. In late March, the ailing music industry began to shed excess workers in an effort to reach profitability, with Sony Music and Bertelsmann Music Group announcing significant reductions in their workforces.
Last year in late October, Universal Music Group finally announced its first set of SACD titles and the high-rez format's supporters jumped for joy. Then, at the January 2003 Consumer Electronics Show (CES) in Las Vegas, Universal stood on the podium next to Sony and announced several key SACD releases from the Police, Peter Gabriel, and others.
The US music industry is fighting a war on several fronts—industrial piracy in foreign countries, casual piracy in the States, unhappiness among consumers, and disagreements with artists (see related story).
Record labels have found that CDs with built-in restriction technologies have not worked in all CD players, have been incompatible with some computers, and have engendered considerable backlash from irate consumers. But why should that stop them?
Kalman Rubinson reviews the MSB Platinum Link Plus D/A processor, revealing, "I have a warm spot in my heart for MSB's approach to product development." With this latest product, will Rubinson's heart continue to glow?
Audiophiles know Linn as a high-end consumer electronics company, creator of such products as the legendary LP12 turntable, compact amps, preamps, and speakers, and the innovative Kivor hard-disk music server.
The listing for the Rogue Audio M-120 monoblock power amplifier in the current issue's "Recommended Components" includes the comment, "Specified output power is 120W; JA measured just 100W into 8 ohms at clipping," which seems to suggest that Rogue Audio is overstating the amplifier's output power. This is not the case. The M-120 can be operated in both ultralinear pentode mode, in which it delivers the specified 120W, and in triode mode, in which it is specified at 60W. Our measurements were performed in triode mode; thus the 100W clipping power does, in fact, exceed the M-120's claimed output power of 60 watts in triode mode. Our apologies to Rogue Audio and to anyone confused by our lack of clarity.
Back in 1984, when I still had all my hair and began listening to digital audio (wait a minute...), I was disappointed with the compact disc. Most of that disappointment came from the format's musical performance, which was poor, but a portion of my dismay came from realizing that my days as a hands-on hobbyist were numbered: I was used to selecting and setting up my own turntable, tonearm, and cartridge, but a CD player defied such involvement. Plugging it in and playing it were all that I or most anyone else could do.