LATEST ADDITIONS

Filed under
Stereophile Staff Posted: Feb 04, 2001 0 comments
Last week, American Technology Corp. (ATC) announced that three additional patents on its loudspeaker technologies have been granted by the US Patent and Trademark Office (see previous story). The company also announced that it has acquired the rights to "strategic" patents from the former Carver Corp. covering a variety of audio reproduction and amplifier technologies.
Filed under
Barry Willis Posted: Feb 04, 2001 0 comments
The "Big Five" of the recorded music industry is one step closer to becoming the "Big Four," according to late-January reports from Frankfurt, Germany, home of Bertelsmann AG. Bertelsmann is the parent company of Bertelsmann Music Group, which has been in merger discussions for several months with the United Kingdom's EMI Group PLC. Discussions are near completion, according to a BMG official.
Filed under
Stereophile Staff Posted: Feb 04, 2001 0 comments
After a frustrating late-night duel with evil recording gremlins, JA called it a day. But the next morning he was back at the controls to record Canadian pianist Robert Silverman for what would subsequently become one of Stereophile's popular audiophile recordings: Intermezzo: Works for Piano by Brahms. In Intermezzo: The Santa Barbara Sessions, writer Thomas Norton runs down the key events that finally resulted in a completed analog master tape, with engineering from Water Lily Acoustics' Kavichandran Alexander.
Filed under
Stereophile Staff Posted: Feb 04, 2001 0 comments
Despite the best efforts of Federal Reserve Board Chairman Alan Greenspan to extend an unprecedented economic boom, the nation's economy is slowing. The slowdown is causing negative repercussions in many sectors—including the music retailing business and consumer electronics manufacturing.
Filed under
Jonathan Scull Posted: Feb 04, 2001 0 comments
As an audio journalist "servicing" the High End (ouch!), I surf the Web waves to see what's going on on the various audio newsgroups and bulletin boards. Sometimes the Net resembles the Concorde going down, the crash video'd by a passing French motorist: Ashen faces pressed against car windows driving slowly by to check out the carnage.
Robert J. Reina Posted: Feb 01, 2001 0 comments
I have a passion for great speaker designs at affordable prices, and with modern driver, crossover, and cabinet technologies making innovative strides, many serious high-end speaker designers are turning their attentions to coming up with the next great budget speaker. All audiophiles need affordable speakers, whether to recommend to friends to lure them into our hobby or to set up multiple, less costly systems in our own houses. I currently run a main reference system, a vacation-house system, a recording-studio system, a computer system, a portable system I take to parties, a car system, and an office system. I insist on having music playing constantly, wherever I am, unless my wife or son tells me to turn it off—which happens increasingly often these days.
Jonathan Scull Posted: Feb 01, 2001 0 comments
What's it take to compete on the bleeding edge of digital? Foresight, commitment of resources, and lots of money. Of course, it's all fundamentally about money, so we shouldn't be surprised that the audiophile's emotional needs aren't paid much respect by the large international manufacturing and marketing concerns stalking the earth today. Megaglom vs Cockroachacus. [Sigh] Where are those pesky miniature princess twins when you need 'em?
Chip Stern Posted: Feb 01, 2001 0 comments
Having evaluated any number of integrated amplifiers in the past year or so, I've repeatedly been impressed by the ways in which designers build versatility and sonic distinction into their single-box designs. In matching those that sounded and measured the best—such as the tubed E.A.R. V20 (October 1999) and the solid-state Magnum Dynalab MD 208 receiver (January 2001)—with appropriate speakers and source components, I was able to attain high-resolution musicality with a minimum of fuss. Crave high-end sound but require even less complexity? You could dispense with interconnects altogether by integrating a high-quality CD player into a remote-controlled receiver, as Linn has with the diminutive Classik that I reviewed last November.
Filed under
Wes Phillips Posted: Jan 28, 2001 0 comments
Drummer Billy Higgins started his remarkable career backing up R&B musicians such as Amos Milburn and Bo Diddley around the LA area before embarking on his jazz path with the Jazz Messengers (led by Don Cherry and saxophonist James Clay) and Dexter Gordon. But it was his association with Ornette Coleman, starting in the mid 1950s, that electrified the jazz world and made him a force to reckon with. His first recordings, with Coleman and Red Mitchell, were released in 1958. In 1959, he performed with both Coleman in New York and Thelonious Monk in San Francisco, and from that point on, he never stopped recording or touring.
Filed under
Barry Willis Posted: Jan 28, 2001 0 comments
Price-fixing by major record labels isn't confined to the United States. The music industry's "Big Five" (Universal Music, Sony Music Entertainment, Warner Music Group, EMI Group PLC, and the Bertelsmann Music Group) are now under the scrutiny of European Union antitrust investigators, who are looking into the possibility that the companies may have colluded to keep CD prices artificially high in Europe. The Federal Trade Commission (FTC) and music industry agreed to settle the American version of the issue in May 2000.

Pages

Share | |

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading