LATEST ADDITIONS

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Barry Willis Posted: Apr 29, 2001 0 comments
Little noted by the mainstream media, technology companies are pushing ahead with research and development programs for high-resolution audio. Two announcements in late April indicate that neither DVD-Audio nor the Super Audio CD is a passing fancy.
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Jon Iverson Posted: Apr 29, 2001 0 comments
One argument for the record industry's disappointing sales last year is a combination of high prices for official CD releases coupled with cheap prices for computer-based CD recorders and CD-R blanks. It doesn't look like retail CD prices will be coming down anytime soon, but luckily for the music business, CD-R prices are going up.
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Stereophile Staff Posted: Apr 29, 2001 0 comments
Jonathan Scull asks "What's it take to compete on the bleeding edge of digital?" Apparently more than what's offered by the "large international manufacturing and marketing concerns stalking the earth today." Will the Accuphase DP-100 Super Audio CD transport & DC-101 Digital Processor make the cut? Scull's incisive report reveals all.
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Jonathan Scull Posted: Apr 29, 2001 0 comments
I get mail. Boy do I get mail! But I love hearing about and sharing some of the tips'n'tweaks from all you Victims of the Musical Quest. I can't help myself. Neither can you, I understand. Come to me. [sob]
Chip Stern Posted: Apr 26, 2001 0 comments
I suspect that the faces of many of the readers who thumb through the pages of Stereophile must resemble those peering out of some Norman Rockwell representation of Americana: little children, their noses pressed hard against the display window of an urban department store in the weeks preceding Christmas, eyes aglow at the sight of some epic model train or exquisitely detailed dollhouse. So near, yet so far.
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Jon Iverson Posted: Apr 22, 2001 0 comments
Having previous experience working for the CIA or the KGB may be a bonus on the resume of any aspiring audio industry applicant, it seems. In an effort to stymie the illegal copying and distribution of digital song files, record companies and hardware manufacturers have turned to increasingly complicated tracking technologies such as MPEG-4 and watermarking. The most recent addition to the anti-pirate bag of tricks: "fingerprinting."
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Wes Phillips Posted: Apr 22, 2001 0 comments
On Tuesday, April 17, 2001, New York said farewell to John Lewis in a memorial ceremony at the Cathedral of St. John the Divine. Over 5000 New Yorkers from all walks of life attended, but the most visibly represented community was the musicians.
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Barry Willis Posted: Apr 22, 2001 0 comments
Is the consumer electronics business swimming, sinking, or simply treading water? It all depends on who's talking. Retailers don't appear to be suffering, despite widespread staffing cutbacks by large companies, but the gains are coming more slowly than they did last year.
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Stereophile Staff Posted: Apr 22, 2001 0 comments
Sam Tellig may apologize for contributing to the audiophile empty wallet syndrome, but that doesn't stop him from ranking the Monarchy Audio Digital Interface Processor 24/96 "a must-have if you want to get the most from your upsampling MSB Link DAC III."
Zan Stewart Posted: Apr 22, 2001 0 comments
JIMMY SMITH: Dot Com Blues
Jimmy Smith, Hammond B-3 organ; Russell Malone, Phil Upchurch, guitar; Reggie McBride, electric bass; Harvey Mason, drums; Lennie Castro, percussion. Guest: Dr. John, vocal, piano;, Etta James, vocal; B.B. King, Taj Mahal, vocals, guitars; Keb' Mo,' vocals. Horn section: Darrell Leonard, trumpet, arr.; Oscar Brashear, Leslie Drayton, trumpets; Herman Riley, Joe Sublett, saxes; George Bohanon, Maurice Spears, trombones
Verve 314 549 978-2 (CD). 2000. John Porter, prod.; Rik Pekkonen, eng. DDD. TT: 60:43
Performance ****
Sonics *****

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