LATEST ADDITIONS

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Art Dudley Posted: Jul 18, 2004 Published: Jul 01, 2004 0 comments
When we last heard from Englishman Tim de Paravicini, whose EAR 890 amp I reviewed in Stereophile's April 2004 issue, the veteran audio designer suggested that he could make a transistor amplifier equal in performance to any of his successful tube designs. Whatever else it may be, the new EAR 324 is my first chance to test that claim: a stereo phono preamplifier without a single tube in sight. It isn't TdP's first all-solid-state product: That would be the line-plus-phono EAR 312 preamplifier, introduced to no small fanfare a little over three years ago. For all intents and purposes, the 324 is a standalone version of the phono section of that $18,000 flagship: The designs are virtually identical—excepting, of course, their casework and power supplies.
Paul Bolin Posted: Jul 18, 2004 Published: Jul 01, 2004 0 comments
Consider the plight of solid-state muscle amps. Often derided as brutes lacking sophistication or subtlety, particularly by the SET set (ie, fans of single-ended triodes), these powerhouses are taken for granted and often, like Rodney Dangerfield, they get no respect. And once upon a time, the stereotypes were true. Every veteran audiophile has at some time heard an immensely powerful transistor amp that had the soft sonic allure of a sheet of sandpaper, a lumbering oaf of a component with nothing whatsoever to recommend it save for a bulging set of mighty moose muscles.
John Atkinson Posted: Jul 18, 2004 Published: Jul 01, 2004 0 comments
"Commoditization leads to the death of a specialty industry!" Hearing this at what I'd anticipated would be a sleep-inducing seminar on marketing, I pricked up my ears. The speaker was management guru Tom Peters, author of the best-selling In Search of Excellence and The Pursuit of WOW!. "Once your product is commoditized, all that is left to compete on is price," Peters continued, as I frantically scrawled down his comments, "and a small company will always lose to the big guns on price!"
John Atkinson Posted: Jul 18, 2004 Published: Aug 01, 2004 0 comments
The upbeat is the most magic moment in classical music making. Before the conductor brings down his baton for the downbeat, anything and everything are possible in the musical journey that is about to begin. And the upbeat to Mozart's sublime Clarinet Concerto that conductor Robert Bailey was about to give in London's Henry Wood Hall last November gave me an extra frisson—as producer of the recording sessions, I would have to pronounce instant judgment on everything I was about to hear.
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Stereophile Staff Posted: Jul 12, 2004 0 comments
Pay $350,000 for an amplifier?!?!! Michael Fremer takes a deep breath and plugs in the Wavac SH-833 monoblock power amplifier in order to hear for himself what he might get if he traded in his house. "When tmh's Jim Ricketts asked me if I wanted to review this eight-box assemblage," says MF, "the first thing I did was laugh at the ludicrousness of the situation. Then I said, 'Why the hell not?'"
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Wes Phillips Posted: Jul 12, 2004 0 comments
Running counter to the music industry's paranoia concerning the perils of modern digital technology, some musicians want you to share their music—within limits. GarageBand.com, which bills itself as "the world's largest musician community," announced June 7 that it now offers the Creative Commons Music Sharing License as an optional tag for all songs uploaded to its website.
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Wes Phillips Posted: Jul 12, 2004 0 comments
For some time now, the truly hip Web-enabled person of stature has shared his or her thoughts with the world via a blog (from web log); these days actors, musicians, and, yes, even politicians are getting into the act.
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Jon Iverson Posted: Jul 12, 2004 0 comments
The digital audio genie was released two decades ago, before the music industry imagined any need to restrict how music files on a compact disc might be used. The last few years, however, have seen myriad attempts to redesign the digital audio bottle, and then shove the genie back in—with limited success.
Robert Baird Posted: Jul 10, 2004 Published: Jul 01, 2004 0 comments
CHRIS STAMEY: Travels In the South
Yep Roc 2033 (CD). 2004. Chris Stamey, Jefferson Holt, prods.; Don Dixon, Greg Elkins, prods., engs.; Tim Harper, Brian Paulson, John Plymale, Wes Lachot, Logan Matheny, Dan Korneff, engs. AAD. TT: 52:30
Performance ****
Sonics ***
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John Atkinson Posted: Jul 10, 2004 Published: Jul 01, 2004 0 comments
I recently came across a 1998 report, "Explaining the Computer Productivity Paradox," by Kevin Stiroh and Robert H. McGuckin III, that discussed the apparent fact that the widespread use of computers has not resulted in any significant increase in worker productivity. This is indeed a paradox, as my experience in the magazine business has left me with the opposite impression. We all do more, with less, than at any earlier time.

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