LATEST ADDITIONS

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Stereophile Staff Posted: May 02, 2004 0 comments
Last week, Primedia announced the next in a series of editorial upgrades to its Home Technology & Photography specialty group. The group is redesigning its Stereophile Guide to Home Theater magazine to become Stereophile Ultimate AV (new URL: www.ultimateavmag.com) starting with the June 2004 issue. Hitting newsstands May 11, the redesigned magazine will feature 16 pages of new and expanded editorial content for high-end audio/video enthusiasts, more advertisers, and an enhanced consumer-friendly design.
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John Atkinson Posted: May 02, 2004 Published: Sep 01, 1990 0 comments
Meeting Englishman Tim de Paravicini for the first time, you start to wonder if your mind has slipped a gear, whether premature brain fade has cut in. The conversation seems not only to be racing by unexpectedly quickly, but also subjects you hadn't even realized were subjects are being examined in knowledgeable depth. It was at the end of the 1970s that I bumped into Tim at a trade show in the UK; having wanted to ask his opinion of tube-amp design, knowing that the gangling, wispy-bearded, Nigeria-born, one-time resident of South Africa and Japan, ex-Lux engineer (footnote 1) had cast a magic wand over the Michaelson & Austin product line, I found myself instead being treated to an exposition of color phosphor problems in TV monitors. For Tim is a true polymath, his mind seemingly capable of running at high speed along several sets of tracks simultaneously.
Robert J. Reina Posted: May 02, 2004 Published: Aug 01, 1999 0 comments
The story of New Acoustic Dimensions, aka NAD, begins in the late 1970s. The company was founded as a dealer distribution collective to design and market reasonably priced serious high-end gear to cost-constrained audiophiles. By eliminating needless features and focusing manufacturing in low-cost production facilities, NAD has successfully delivered audiophile-quality gear for 20 years at prices little more expensive than mass-market department-store schlock.
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Keith Howard Posted: May 02, 2004 Published: Apr 01, 2004 0 comments
Looked at from one viewpoint, DVD-Audio and SACD appear to be exercises in sheer profligacy. In the case of DVD-A, why provide a maximum bandwidth almost five times what is conventionally taken to be the audible frequency range, and couple it to a dynamic-range capability far in excess of that achievable by the microphones used to record the sound? In the case of SACD, why provide a potential bandwidth in excess of 1.4MHz, only to fill more than 95% of it with quantization noise?
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Wes Phillips Posted: Apr 26, 2004 0 comments
We were startled to receive an email announcement recently informing us that Scot Markwell, long-time set-up and equipment maven for The Abso!ute Sound's erstwhile editor Harry Pearson, had joined the staff at www.themusic.com to manage its Gear Shop division.
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Stereophile Staff Posted: Apr 26, 2004 0 comments
The Home Entertainment 2004 Show (HE2004) is coming to NYC May 20–23, 2004 at the Hilton New York Hotel & Towers. HE2004 is open to the public—consumers will not only have the opportunity to see, hear, and demo the finest high-performance products consumer electronics has to offer, they can also attend a dozen free educational seminars on a variety of topics and enjoy live music daily from jazz and blues artists during relaxing breaks for lunch. The educational seminars and music luncheons will be offered all three days of the Show. Seminars will be moderated by some of the consumer electronics industry's most respected editors, manufacturers, and custom-installation professionals.
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Stereophile Staff Posted: Apr 26, 2004 0 comments
Paul Bolin revisits planet Halcro to review the company's dm10 preamplifier. As PB notes, "After designing an amplifier that turned much of the audio world on its head, Halcro's head honcho, Bruce Candy, turned his attention to developing a preamplifier to match what he'd already wrought."
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Barry Willis Posted: Apr 26, 2004 0 comments
"Clean Slate" ends: As of early April, the US music industry no longer offers amnesty to confessed downloaders. Begun in September by the Recording Industry Association of America (RIAA), the "Clean Slate" program's intent was to discourage music fans from continuing to gather freebies online by promising exemption from copyright infringement lawsuits if they signed statements that they had removed shared music files from their computers. More than 1100 music fans signed, but Eric Parke of Novato, CA sought an injunction against the program on the grounds that it was a "fraudulent business practice." The RIAA responded by halting the amnesty effort and asked the judge in the case to dismiss Parke's lawsuit. Trade group officials promised to uphold their part of the bargain for those who signed.
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Jon Iverson Posted: Apr 26, 2004 0 comments
Audiophiles are faced with a sonic and musical quandary: Are we looking for an absolutely faithful reproduction of a recorded work, regardless of its inherent defects, or are we willing to tune our component choices and room to euphonize everything across the board—at the expense of over-glossing the better titles in our collection?
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Barry Willis Posted: Apr 26, 2004 0 comments
If you're a retailer harboring visions of including Klipsch Audio Technologies' products among the offerings in a deep-discount website, forget it. Likewise, reconsider if you've been tempted to buy Klipsch products at unbelievable prices from such a site. And if you're a Klipsch dealer with some overstock, don't take the bait if someone with a website offers you cash for a bulk deal, don't even think about it—because Klipsch is one company that takes the gray market seriously.

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