LATEST ADDITIONS

Filed under
John Atkinson Posted: Feb 17, 2002 0 comments
"An amusement park for the mind." That was how, some years ago, one engineer described the Audio Engineering Society's biannual conventions, which alternate between European and American venues. The 111th convention, subtitled "Advancing the Art of Sound," was held at the cavernous Jacob Javits Center on Manhattan's west side in early December. (It had originally been scheduled to take place last September, but was postponed for the obvious reason.)
Filed under
Jonathan Scull Posted: Feb 17, 2002 0 comments
I hereby award, by the powers invested in me, the first Tweaker from Hell award to (drum roll, please)...me.
Robert Baird Posted: Feb 17, 2002 0 comments
SHELBY LYNNE: Love, Shelby
Island ISLF 15426-2 (CD). 2001. Glen Ballard, prod.; Scott Campbell, eng.; Bob Clearmountain, mix. ADD? TT: 42:19
Performance ****?
Sonics ****
Chip Stern Posted: Feb 17, 2002 0 comments
Although audiophiles may muster little enthusiasm for the home-theater-driven audio marketplace of the 21st century, its prerequisites have inspired manufacturers to cram as wide a range of flexible programming features into as highly resolved a set of performance packages as possible. Thus we're now witnessing a new generation of exceptionally musical electronics with high-end performance targeted at two-channel enthusiasts, but all primped and prepped for integration into an expanded audio-video rig.
Filed under
Barry Willis Posted: Feb 10, 2002 0 comments
All available statistics demonstrate that the Internet is still a growing phenomenon, one destined to play an increasingly important role in the distribution of information and entertainment. Recently published studies by Jupiter Media Metrix, Inc., a division of Jupiter Research, show that Internet usage has achieved greater than 50% penetration among US households, giving it what researchers call "mass-market status." Jupiter describes "online consumers" as people who have computers and Internet service provision in their homes, as opposed to having Internet access through a computer at work. "Online users," for the sake of the studies, were defined as people who use the Internet at least once per month.
Filed under
Stereophile Staff Posted: Feb 10, 2002 0 comments
Chip Stern writes in his review of the Blue Circle BC3 Galatea line-level preamplifier, "From the moment I hooked these units up, the captivating turquoise glow of their matching front-panel lights (a glowing orb within a blue circle) held out the promise of something inviting and serene." Promise fulfilled? Stern spills the Blue Circle beans.
Filed under
Jon Iverson Posted: Feb 10, 2002 0 comments
Recent moves by record labels to add restricted-use technology to their compact disc releases has raised the ire of many a consumer, leading some to call for boycotts or worse (see this week's Soapbox). Late last year the National Association of Recording Merchandisers (NARM) issued a statement saying that the major labels have gone too far in restricting consumers' "fair use" of copyrighted material.
Filed under
Jon Iverson Posted: Feb 10, 2002 0 comments
After more than ten years in development, Sirius Satellite Radio announced last week that it will be officially launching its service with two events in Jackson, Mississippi beginning February 13. Sirius' competitor XM Satellite radio was able to get its service up and running last September.
Filed under
David Lander Posted: Feb 10, 2002 0 comments
Henry Kloss, whose prolific hi-fi design and manufacturing career spanned a half century, died of a subdural hematoma on January 31, three weeks before his 73rd birthday.
Filed under
Barry Willis Posted: Feb 10, 2002 0 comments
Last year wasn't kind to UK entertainment conglomerate EMI Group PLC. On February 5, the company issued its second profit warning since September, blaming a slow market for recorded music. EMI is now predicting that pretax profits for the year ending March 31 will total $213.4 million (245.1 million euros, or £150 million), far below analysts' predictions. The news caused an immediate 6.4% drop in the price of EMI shares on the London market.

Pages

Share | |

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading