LATEST ADDITIONS

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Jon Iverson Posted: Jun 23, 2002 0 comments
It's been a long wait, but we're finally starting to see high-bandwidth IEEE 1394 digital audio connections on the back of DVD-A/SACD players (see related story), as first hinted at by Yamaha five years ago. A key ingredient for getting the beleaguered 1394 (or FireWire or iLink) format moving was the inclusion of copy-protection protocols that restrict unfettered consumer use of the digital audio content.
Michael Fremer Posted: Jun 23, 2002 0 comments
When a well-respected analog disc-mastering veteran like Stan Ricker says that the Alesis MasterLink ML-9600, a hard-disk-based digital recorder/CD burner, is "the best tool in my mastering bag...done right it can sound better than all but the absolute top drawer analog," you take the endorsement seriously. Progress is possible. Mastering tool, CD burner, 24-bit/96kHz recorder, audio reviewer's best friend—the versatile MasterLink is one of the coolest products I've ever had my hands on.
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Barry Willis Posted: Jun 16, 2002 0 comments
It's still too early in the game to guess what a profitable music download business might look like, but it's clear that it won't involve highly restricted access—or high prices.
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Barry Willis Posted: Jun 16, 2002 0 comments
Using personal computers to listen to music may be heresy in some audiophile circles, but the practice is definitely on the rise. Recognition of the fact has led at least one maker of computer motherboards to introduce a model with a vacuum-tube audio circuit.
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Jon Iverson Posted: Jun 16, 2002 0 comments
There's no question that restricted-use or copy-protected CDs are finding their way onto retailer shelves and into unsuspecting consumer hands—often with frustrating results. What is in doubt in many consumers' minds is how to recognize a restricted-use disc before purchase.
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Stereophile Staff Posted: Jun 16, 2002 0 comments
Kal Rubinson gets in shape for some heavy lifting to review the B&W Signature 800 loudspeaker. "The Signature 800 is part of B&W's Prestige line, which represents the best that B&W can do with present loudspeaker technology," reports Kal, who watched with anticipation as a team of four hefted the 275-pound beauties into place.
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Jon Iverson Posted: Jun 16, 2002 0 comments
The entertainment industry has been crying wolf about the impending death of its collective livelihood since the first recording device hit the market decades ago. In spite of those dire predictions, reel-to-reel tape decks, cassette recorders, and VCRs hardly dented sales, and may in fact have contributed to unprecedented world-wide growth.
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Jonathan Scull Posted: Jun 13, 2002 0 comments
In his first e-mail to "Fine Tunes," Rafael Teodoro (RBT@wolfenet.com) addressed a subject that Mark Gdovin, that faithful frequenter of the Stereophile soapbox, had already brought up. Mark had gone so far as to give readers sage advice from his brother, a materials engineer, regarding the dangers of applying Armor All to speaker cones and surrounds.
Robert Baird Posted: Jun 13, 2002 0 comments
WILCO: Yankee Hotel Foxtrot
Nonesuch 79669-2 (CD). 2002. Wilco, prods.; Jim O'Rourke, mix. AAD? TT: 51:51
Performance ****
Sonics ****
Kalman Rubinson Posted: Jun 13, 2002 0 comments
I once got a fortune cookie that read, "Ask and ye shall receive. This includes trouble." A few years back, shopping for speakers, I inquired about reviewing the B&W Nautilus 802, but it was too soon after Wes Phillips had reviewed the Nautilus 801 for Stereophile. So, other auditioning and reviewing (and buying) other speakers, I asked again, and again was met with deferral. Recently, out of the blue, B&W offered the Nautilus 802—then, in the next breath, asked if I'd rather have the Signature 800s.

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