Filed under
Stereophile Staff Posted: Aug 24, 2003 0 comments
More from the August issue: Larry Greenhill updates his system with the Mark Levinson No.436 monoblock power amplifier. LG says, "I was concerned when [Mark Levinson] discontinued its entire 300 series of dual-mono amplifiers, but the company reassured me that they had a suitable replacement in the No. 436." Greenhill decides for himself.
Filed under
Barry Willis Posted: Aug 24, 2003 0 comments
Responding to scrutiny by federal legislators, the Recording Industry Association of America (RIAA) is backing away from the pursuit of small-scale copyright violators. After issuing more than 1000 subpoenas against alleged music pirates, the trade group announced on August 18 that it would go after only big fish in its efforts to contain the file-sharing epidemic.
Filed under
Jon Iverson Posted: Aug 24, 2003 0 comments
To combat lackluster CD sales and online file trading, some record labels have been adding bonus DVDs to new releases to get consumers to buy them instead of downloading the data. DVD-Audio proponents, in an attempt to counter Super Audio Compact Disc's single-disc hybrid SACD/CD strategy, have been trying to figure out how to combine CD functionality and DVD-A onto one disc.
Filed under
Stereophile Staff Posted: Aug 24, 2003 0 comments
DVD-Audio is getting a boost from several directions.
John Atkinson Posted: Aug 24, 2003 0 comments
While audio writers find the siren song of cost-no-object components an ever-present temptation, I do ask Stereophile's reviewers to be on the lookout for affordable products that sound better than they have any right to. So when I listened to an inexpensive system based on Monitor Audio's Silver S2 loudspeaker and Musical Fidelity amplification at Home Entertainment 2002, held at the Manhattan Hilton in May 2002, I followed my own instruction and asked the US distributor of this English model to send me review samples.
Larry Greenhill Posted: Aug 24, 2003 0 comments
All high-end audio companies turn over their product lines periodically. Even those amplifiers I have depended on as references go out of production. Although my reference amplifier can remain a part of the reviewing sequence, readers won't be able to purchase a discontinued model and get the results I describe. Thus I am compelled to get a review sample of a new amplifier or speaker, and hope for the best.
Paul Bolin Posted: Aug 24, 2003 0 comments
Ever since the introduction of high-resolution digital formats, audiophiles have been waiting for the smoke from the format wars to settle. What would the winning software be? DVD-Audio? DVD-Video? SACD? 24 bits at 96kHz or 192kHz? As new formats struggled to establish themselves, upconverting technology became commonplace for the playback of the familiar 16-bit/44.1kHz "Red Book" CD format. What to do? Invest large amounts of cash in a system that played "Red Book" (maybe with upconverting, but if so, by how much?) and one other format, and hope that you've bet right? And what about movies on them new-fangled DVDs, Tex?
Filed under
John Atkinson Posted: Aug 17, 2003 0 comments
An archive of articles that the late Michael Gerzon wrote for Hi-Fi News and Studio Sound magazines has been established at the website of Hi-Fi News consultant technical editor Keith Howard.
Filed under
Barry Willis Posted: Aug 17, 2003 0 comments
Internet service providers (ISPs) have begun fighting back against the blitzkrieg of lawsuits launched by the Recording Industry Association of America (RIAA) in its struggle to contain the file-sharing phenomenon.
Filed under
Stereophile Staff Posted: Aug 17, 2003 0 comments
From the August issue, Robert Deutsch gives the Audio Research VS110 power amplifier and SP16L line preamplifier the full treatment. RD reveals how he finds products to review, and more importantly, what he found appealing in the ARC amp and preamp.


Share | |

Enter your username.
Enter the password that accompanies your username.