LATEST ADDITIONS

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Barry Willis Posted: Sep 14, 2003 0 comments
It's just about impossible to imagine a worse public relations campaign than the one being waged by the Recording Industry Association of America (RIAA) in the nation's courtrooms.
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Jon Iverson Posted: Sep 14, 2003 0 comments
More compact discs that attempt to restrict how you use them are coming to a record store near you. BMG announced last week that its Arista Records division will be the company's first label in the US to release a commercial CD using copy-restriction technology.
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Wes Phillips Posted: Sep 14, 2003 0 comments
Johnny Cash, the 71-year-old American icon, died September 12 of respiratory failure caused by complications from diabetes. The singer/songwriter had been released from the hospital the preceding day after a two-week struggle with an unspecified stomach ailment.
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Stereophile Staff Posted: Sep 14, 2003 0 comments
We kick off three speaker reviews from the September issue with Brian Damkroger's assessment of the Audio Physic Virgo III loudspeaker. A perfect meld of minimonitor and full-range bass extension? BD reveals all.
Brian Damkroger Posted: Sep 14, 2003 0 comments
I was riding BART home from Home Entertainment 2003, thinking about the day—the new products, the old friends, the rooms with really great sound. It's a long ride from downtown San Francisco to Livermore, so I next got to thinking about all of the hi-fi shows I've attended over the years and which companies, year after year, always seem to have good sound. At the top of the list were Audio Physic and its US importer, Allen Perkins' Immedia.
Bradley Bambarger Posted: Sep 14, 2003 0 comments
FRANCK: Violin Sonata in A
RACHMANINOFF: Cello Sonata in g

Renaud Capuçon, violin; Gautier Capuçon, cello; Alexandre Gurning, Lilya Zilberstein, piano
EMI Classics 5 57505 2 (CD). 2003. Carlo Piccardi, prod.; Ulrich Ruscher, eng. DDD. TT: 65:33
Performance ****
Sonics ****
Michael Fremer Posted: Sep 14, 2003 0 comments
When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to those." It was obvious: Halee respected the Wilsons, but he loved the Infinitys. Not surprising, since Dave Wilson designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.
Paul Messenger Posted: Sep 14, 2003 0 comments
I reviewed JMlab's Mezzo Utopia loudspeaker in the July 1999 Stereophile (Vol.22 No.7). By chance, the Mezzos had followed a pair of B&W Nautilus 801s into my listening room, and the substitution had proved rather interesting. For all their many fine qualities, the 801, with its 15" bass driver, was distinctly bass-heavy in my room, whereas the 11" drivers of the Mezzos seemed just right in this regard.
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John Atkinson Posted: Sep 14, 2003 0 comments
There is one date I dread every year: my wife's birthday. After nearly 16 years of marriage, I have exhausted every last iota of my spousal resources in trying to think of a suitable present. Nothing too ordinary, nothing too out of the ordinary, nothing that will trigger those dreaded words, "You did keep the receipt, right?"
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Jon Iverson Posted: Sep 07, 2003 0 comments
What can save the music industry? We've asked the question on this website a dozen times in several different ways and your responses are pretty much always the same: lower CD prices—closely followed by better music.

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