LATEST ADDITIONS

J. Gordon Holt Posted: May 14, 2015 Published: Sep 01, 1975 5 comments
While we will not pretend for a moment that the millennium of high fidelity has arrived, we are finally having to face up to a fact that has been staring us in the face and nudging us in the ribs increasingly rudely of late: The state of the art of sound reproduction has gotten to be pretty damned sophisticated. Perfection is just as unattainable as it was almost 100 years ago when Thomas Edison was diddling with different diaphragm materials on his phonograph because some sounded better than others.
J. Gordon Holt Posted: May 14, 2015 Published: Mar 01, 1977 0 comments
We cannot recall when any new products have generated as much of a stir among perfectionists as the new solid-state equipment from Audio Research. Preceded by rumors of "a new kind of amplifying device—a cross between a tube and a transistor"—the announcement of ARC's new power amp and SP-4 preamplifier elicited very mixed reactions from loyal ARC customers, some of whom gleefully anticipated a virtual revolution in audio electronics, others of whom felt betrayed by the company which, having originally convinced them that "Tubes Are Better," suddenly seemed to be doing an about-face and espousing the views of the Enemy—the "Soiled-State"—forces.
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Stereophile Staff Posted: May 14, 2015 0 comments
Okay, we had a Rodgers & Hammerstein moment, but it was John Atkinson's review of KEF's bad-ass, made-in-England Blade Two loudspeaker, featured on the June 2015 issue's cover, that got us excited. And Art Dudley was also excited by the sound of another English speaker in this issue, the BBC-heritaged Super HL5plus from Harbeth. But it is AD's advice on how to audition cables that might generate the most excitement...
J. Gordon Holt Posted: May 13, 2015 Published: Mar 01, 1986 0 comments
Meridian's MCD CD player was perhaps the first audiophile-quality player to be introduced in the high-end market. I met with Bob Stuart of Meridian at the Winter Consumer Electronics Show in Las Vegas, in January, 1986 (footnote 1). My first question was about the name of the company he runs with industrial designer Alan Boothroyd:

J. Gordon Holt: Meridian in England is called Boothroyd Stuart, right?

Bob Stuart: Yes, the company is called Boothroyd Stuart, Limited, and the trademark is Meridian.

Margaret Graham Posted: May 13, 2015 Published: Jul 01, 1982 0 comments
Paul Winter: Callings
The Paul Winter Consort: Paul Winter, soprano sax, E-flat contrabass sarrusophone, conch shell; Nancy Rumbel, oboe, English horn, C contrabass sarrusophone, double ocarina; Eugene Friesen, cello; Jim Scott, classical and 12-string guitars; Ted Moore, timpani, surdos, berimbau, caixixi, pao de chuva, ganza, gongs, cymbals, triangles, handbells, whistles; Paul Halley, pipe organ, harpsichord, piano.
Recorded with the 3M Digital System in the Cathedral of St. John the Divine, New York City. Paul Winter, prod., Dixon Van Winkle, Chris Brown, engs. Additional recording by Richard Blakin and Mickey Houlihan. CD mastered by Clete Baker.
Living Music Records LMR-1 (LP). DAA. Living Music Records LD0001 (10488 00012-6) (CD). DAD. TT: 49:42.

It is hard for me to be objective about a record such as this. My very being responds to it, not only to the music but to the ideas and feelings behind it. Fortunately for me, this happens to be an excellent recording, with some extraordinary low end on it, so I need not compromise either my critical faculties or my sentiments.

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Robert Deutsch Posted: May 10, 2015 2 comments
It's been almost exactly a year since I reported on the opening of a new store dedicated to high-performance audio and video in Unionville, Ontario. To mark the first anniversary of the store's opening, they had a party to celebrate the occasion.
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Robert Baird Posted: May 09, 2015 0 comments
What keeps Waterfall, the band’s seventh album and the first in four years, from sinking into a kind of earnest, overly precious, 1970s lite rock muck is that James’s many influences are a mist and not a downpour.
J. Gordon Holt Posted: May 07, 2015 Published: Apr 01, 1975 17 comments
Because this is an unusual and controversial tonearm design, and has had astonishing claims made for its performance by the manufacturer, this in-depth report goes deeper and is longer than is usual for Stereophile. We will return to a reasonable balance of reportage in the next issue.

The manufacturer's initial advertisement for their mis-named "Vestigal" arm (footnote 1) was so laced with nonsense that we will admit to having been skeptical about the product from the outset.

Robert Harley Posted: May 07, 2015 Published: Jun 01, 1991 0 comments
666wawaWadia2000.1250.jpgDuring my reviews of digital processors in the past year or so, I've made comparisons with the Wadia 2000 Digital Decoding Computer first reviewed by Arnis Balgalvis in Vol.13 No.1. I've felt that, as good as the 2000 is, other processors—many costing less than the 2000's $8500 price tag—are now superior.

However, a visiting Wadia representative looked inside our sample and used the word "ancient" to describe its circuitry in relation to current production. In addition, I was never able to audition the 2000 with a glass fiber-optical interface, standard equipment on Wadia's transports. Similarly, the $2000 Wadia X-32 had undergone a minor circuit revision, including the inclusion of the glass optical input. Consequently, a follow-up of these two excellent processors seemed in order.

Robert Harley Posted: May 06, 2015 Published: Nov 01, 1991 0 comments
In hindsight, it was inevitable that two sophisticated digital audio technologies—software-based digital filters and Bitstream D/A converters—were destined to be married in one product. The software-based D/A converters offered by Krell, Wadia, and Theta all used multi-bit ladder DACs, and Bitstream-based units have previously relied on off-the-shelf digital filters.

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