LATEST ADDITIONS

So large in size that few if any dealers will ever be able to carry them, the prototype Genesis Prime+ loudspeakers ($680,000/system) exhibited a beautiful midrange on an LP of Oleta Adams singing "Don't let the Sun Go Down on Me." Ditto for the voice of Mel Tormé, accompanied by George Shearing on "You'd Be So Nice To Come To."

"Why do you need all of those microphones?"

I've been asked this question more than once, by musicians you may have heard of. I'm not going to name names, but if you press me I might. Let's see where this goes.

It's a reasonable question, sometimes. Still.

I first encountered consistently handsome Rosso Fiorentino speakers at a show years ago, and immediately encouraged a now-retired distributor to pick up the Italian brand. I'm so happy to discover that AudioThesis is now bringing them into the US.

A speaker brand new to me, Kroma Atelier from Spain, caught many an eye and ear with the US premiere of their small black Mimi Xtreme standmount loudspeaker ($12,600/pair in white, $13,860 in black, left in photo) with Mimi stands ($3600/pair). Introduced by Tim Lukas's Matterhorn Audio Group of Boston, whose other brands include FinkTeam and Creek, the speaker is claimed to work with amps that output as little as 15Wpc. With a 6.5" midrange with proprietary cone, and a special AMT neodymium-ribbon tweeter designed by Mundorf to Kroma Atelier's specifications, the speaker boasts a 4 ohm nominal impedance, an 88dB sensitivity, and a frequency response of 30Hz–25kHz. The design of its woofer's surround (below) is intentional—it is possibly one the new Purifi drive-units.