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J. Gordon Holt Posted: Nov 09, 2016 Published: Aug 01, 1964 2 comments
Like every sensible publication, The Stereophile keeps track of the questions raised by readers who write to us, so we can get some idea of what most of you would like to see in future issues of the magazine. To date, the list looks like this, in order of diminishing interest: transistor amps and preamps, loudspeakers, pickups, tape equipment, tuners and, way at the bottom of the list, recordings. We are devoting most of the August 1964 issue to a discussion of commercial recording practices.
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Lew Brown John Koval Posted: Nov 09, 2016 Published: May 01, 1966 10 comments
Note: As our coverage of the 2016 New Audio Show has just been posted, I thought it would be interesting to post our report from the 1965 show, in particular to see which brands are still around 50 years later.John Atkinson

The 1965 New York hi-fi show was, to these observers, most notable for the marked increase in the number of exhibits which featured good—ie, classical—music for demonstration purposes. In the past, only about a half dozen of the exhibitors played any thing of musical worth, the rest of them evidently figuring they could make more noise with wild brass-and-percussion "demo" records.

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Ken Micallef Posted: Nov 09, 2016 7 comments
I hit the ground running on Sunday, the final day of the show…
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Stereophile Staff Posted: Nov 08, 2016 1 comments
Wednesday November 9, 5–8pm, Dallas dealer Audio Concepts welcomes Dan D'Agostino, Wilson Audio's Peter McGrath, and John Quick from dCS to an open house, while in Maryland, Wednesday November 9 and Thursday November 10, 6–9pm, Gramophone celebrates its 40th Anniversary with a special two-day event at its Timonium and Columbia locations. Thursday November 10, 5–8pm, Southern California dealer Wilshire Media Systems hosts its Annual Fall Expo, Northern California dealer AudioVision San Francisco presents the "US Premier from Dynaudio New Contour Loudspeakers," 7:30–10 pm, and Ontario's Audio Excellence is hosting a Nordost Event as part of their "Meet the Manufacturers" series, from 4–8pm.
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Fred Kaplan Posted: Nov 08, 2016 1 comments
Tonight (Tuesday, November 8), at the Jazz Standard in New York City (116 East 27th Street), the 7:30 set, along with Brooke Gladstone (co-host & managing editor of public radio's On the Media and, as it happens, my wife), I'll be announcing election updates and analyzing results between tunes (by Ted Nash's Presidential Suite big band).
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Ken Micallef Posted: Nov 08, 2016 12 comments
Seeing as it's smack dab in the middle of the New York Marathon route, finding a way into The Park Lane Hotel presented its share of challenges, even on Saturday: though the race wouldn't begin until Sunday, gangs of scantily clad runners of all shapes and sizes dominated the sidewalks of Central Park South, forcing pedestrians to hit the concrete and scream, Ratso Rizzo style, "Hey! I'm walkin' here!"
Jana Dagdagan Posted: Nov 07, 2016 12 comments
Photo of Art Dudley, Robin Wyatt, and Michael Lavorgna: John Atkinson. All other photos: Jana Dagdagan.

NYAS 2015. Rye Brook, NY.—Then, a lone capsule filled with liquid anxiety, outfitted in wobbly heels and a blanket of sweat aimlessly wandered through the halls of hotel hi-fi. She had recently interviewed for her dream job at her dream publication, Stereophile, but had not heard back yet. She desperately hoped to meet Sirs Art Dudley and Michael Lavorgna for the first time, and luckily succeeded in doing so at the 'Zen and the Art of Audio Reviewing' seminar.

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Ken Micallef Posted: Nov 06, 2016 3 comments
Whether large in scope and scale or just a few small rooms at the end of a hotel hallway, I get a kick out of hi-fi shows…
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Jim Austin Posted: Nov 06, 2016 7 comments
The room was small, approximately square, with low ceilings, and—like all the rooms I visited at the show—very yellow…
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Art Dudley Posted: Nov 05, 2016 12 comments
My Friday-morning train from upstate New York arrived in Manhattan ahead of schedule—how often does that happen?—giving me the luxury of walking, rather than taking a subway or a cab, to the Park Lane Hotel, located on West 59th Street: this year's venue for the New York Audio Show. By the time I reached the Park Lane Hotel's posh-minus entrance, I felt as though I'd entered a whole different world—but this time I wasn't sneering. Indeed, I was wondering: what would it take for all these people of means to take interest in our little world of handmade electronics and rare phono cartridges and loudspeakers that were surely meant to be enjoyed in the largest and grandest of rooms? For people who are used to the best of everything, is high-end audio really that big a leap?

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