LATEST ADDITIONS

Filed under
Art Dudley Posted: Mar 30, 2014 0 comments
I have found that, under show conditions, some of the sweetest sounds often come from the smallest systems; so it was in the room sponsored by distributor VMAX, where a Hegel H80 integrated amplifier with onboard D/A and five digital inputs, including USB ($2000) drove a lovely pair of Triangle 30th Anniversary Comete loudspeakers ($1800/pair), with a Hegel CDP-2A CD player ($2600) used as a transport.
Filed under
Art Dudley Posted: Mar 30, 2014 0 comments
Seen in the same room as the Hegel-Triangle system was a frustratingly silent display: one of a pair of brand-new, full-range electrostatic loudspeakers from the Dutch company Essence. Apparently its mate suffered a bit of rough handling, and the people of VMAX decided, commendably, not to trust its high-voltage circuitry before giving the speaker a thorough check-up. In the meantime, keep your eyes peeled for this $4000/pair beauty, the stators of which are created from acrylic using a 3D printer.
Filed under
Art Dudley Posted: Mar 30, 2014 1 comments
In one of three rooms sponsored by the dealer Acoustique Technologies, Marten Getz 2 loudspeakers ($23,000/pair) were driven by a pair of Manley 250 "Neo-Classic Design" mono amplifiers ($13,750/pair), in turn driven by a Manley "Neo-Classic Design" 300B preamplifier ($6500) and fed by a Feickert Woodpecker turntable/tonearm combination ($6090) with Dynavector XX2 cartridge ($2150).
Filed under
Art Dudley Posted: Mar 30, 2014 0 comments
Here's a closer look at that Woodpecker.
Filed under
Art Dudley Posted: Mar 30, 2014 0 comments
Manley tube electronics—the same 300B preamplifier plus a pair of Snapper amps—were used in another Acoustique Technologies room, where they drove a pair of Nola Metro Grand Reference III loudspeakers ($30,900), with the Meitner MA-1 D/A converter ($7000) as a source. I'm sorry to say the Nolas proved impossible to photograph in the back-lit but otherwise dark and very crowded room. And the excessive volume level—and consequently harsh trebles—discouraged me from lingering.
Filed under
Art Dudley Posted: Mar 30, 2014 0 comments
When I return home from Montreal I'll be able to tell my 16-year-old daughter, truthfully, that I listened to Lorde's "The Royals" on a very good system, the value of which rivals the expected cost of her first two years of college. Included in this Coup de Foudre-sponsored system were a Luxman DA-06 D/A converter ($5000), Luxman C 900 preamp ($19,000), the big Luxman M 900 stereo amp ($19,000), and Vivid Giya G3 loudspeakers ($40,000), used with Cardas cables.
Filed under
Art Dudley Posted: Mar 30, 2014 1 comments
Dollar for dollar, the TD-M1 wireless loudspeaker system from Eclipse ($1300/pair) was among the most impressive products I heard at SSI. Imported by the American distributor On a Higher Note and displayed at the show by Coup de Foudre, the self-powered TD-M1 system, which includes a built-in digital-to-analog converter, combined Quad-like detail and transparency with exceptional levels of presence and substance. Notably, the system retained those qualities even at very low listening levels.
Filed under
Art Dudley Posted: Mar 30, 2014 0 comments
Heard at one of the three SSI rooms sponsored by Montreal dealer Coup de Foudre was this serene-looking record player by Clearaudio, comprising the company's Concept Wood Edition turntable, Satisfy Carbon tonearm, and Performer V2 moving-magnet phono cartridge. Sold as a package for $2200, the Clearaudio player sounded open and engaging in a system including a Unico Primo integrated amplifier with built-in phono stage ($2450), Opera Grand Mezza loudspeakers ($2800/pair), and cabling by Transparent Audio.
Filed under
Robert Deutsch Posted: Mar 29, 2014 1 comments
Friday was Day One of a three-day show, but I'd already picked my best sound—which I'm quite certain will not be exceeded by listening to any collection of electronic/mechanical contrivances. It was provided by soprano Sophie De Cruz, tenor Eric Thériault, accompanied by Dominique Boulianne on the piano. Standing near the entrance to the bar/restaurant at the Hilton Bonaventure, De Cruz and Thériault, sang arias and duets from La Traviata, La Bohème, Tosca, and other pieces of the Italian and French operatic repertoire.
Filed under
Robert Deutsch Posted: Mar 29, 2014 0 comments
Anne Bisson is a talented vocalist/pianist/composer who often appears at audio shows. She was at SSI 2014 to promote her about-to-be-released CD, entitled Tales from the Treetops (Camilio Records CAM2-4335.) All but one of the songs on this recording are in English (with Percy Bysshe Shelley credited as one of the lyricists). Bisson told me that, listening to the recording, she was surprised to note that her voice sounds different in English and French, a difference she attributes to the fact that French has no diphthongs, only pure vowels.

Pages

Share | |

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading