LATEST ADDITIONS

Stereophile Staff  |  Nov 10, 2023  |  6 comments

Gryphon’s highly anticipated Diablo 333 Integrated Amplifier will make its North American dealer debut on Thursday 16 November, 11am–6pm, at The Sound Environment in Omaha, Nebraska.

Ken Micallef  |  Nov 10, 2023  |  0 comments

In room 801, David Cope of Old Forge Audio, in conjunction with Phonographe Distribution, played a joyous-sounding system that included my and Herb Reichert's current favorite loudspeaker).

Ken Micallef  |  Nov 10, 2023  |  2 comments

Presenting the new GoldenEar T66 floorstanding speakers ($6900/pair in Gloss Black, $7200/pair in Santa Barbara Red), Ken Forsythe (AudioQuest), aided and abetted by Chet Pelkowski and Chris Volk (both from GoldenEar), got down and dirty, and insisted I join in. I did!

Ken Micallef  |  Nov 10, 2023  |  3 comments

Like candy to an audiophile baby, Capital Audiofest 2023 is officially in full blast mode, a phantasmagorical thrill ride for listeners of all ages, and this age. The venue as in 2022 is the Hilton Twinbrook Rockville, Maryland.

Larry Greenhill  |  Nov 10, 2023  |  First Published: Apr 01, 1994  |  0 comments
Few products elicited as much excitement, disappointment, and debate among the Stereophile staff as did the Snell Type B dynamic loudspeaker (footnote 1). Both Peter Mitchell and I praised the Type B for its low-frequency extension, smooth treble, high power handling, and excellent dynamics. Corey Greenberg and Robert Harley faulted the speaker's sluggish and fat bass response, which they felt precluded a recommendation in Stereophile's "Recommended Components." Kickdrum recordings in pop and rock excited the Type B's bass character, a characteristic which was not so noticeable if one only listens to classical music. This bass peak was so prominent in RH's listening room that it colored the rest of the loudspeaker's range. As a result, he found that this otherwise fine loudspeaker was not as transparent as other high-quality dynamic systems in the same price range.

Help was on the way. Within six months of RH's review, Snell Acoustics introduced a smaller version, the B minor, at the 1992 Summer CES.

Robert Baird, Thomas Conrad, Larry Birnbaum  |  Nov 09, 2023  |  2 comments
John Scofield: Uncle John's Band; Mort Garson: Journey To The Moon And Beyond; James Brandon Lewis/Red Lily Quintet: For Mahalia, With Love; Alan Ferber Nonet: Up High, Down Low; Greg Foat & Gigi Masin: Dolphin; Avishai Cohen & Abraham Rodriguez Jr.: Iroko.
Robert Baird, Phil Brett, Ray Chelstowski  |  Nov 09, 2023  |  1 comments
ABC: The Lexicon of Love; Buddy & Julie Miller: In The Throes; Juliana Hatfield Sings ELO.
Jason Victor Serinus, Stephen Francis Vasta  |  Nov 09, 2023  |  0 comments
Hermitage Piano Trio: Spanish Impressions; Mahler: Symphony No.1; Maurice Ravel: L'Heure espagnole • Bolero; Melody Moore: Remembering Tebaldi.
Thomas Conrad  |  Nov 07, 2023  |  2 comments
Teatro Morlacchi at Umbria. All Photos by Tim Dickeson.

It has been a year since my piece "On The Road Again: A Jazz Festival Journal From A Summer Of Plague And War" appeared, in the November 2022 issue of this magazine. It described three European jazz festivals I attended in July 2022.

In July 2023, I returned to Europe to attend two festivals. The COVID-19 plague and its fallout had significantly subsided. The war in Ukraine was still raging, but this time I didn't get near it. In 2022, I went to a festival in Romania, which borders Ukraine. In 2023, I only went to Italy.

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