LATEST ADDITIONS

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Jason Victor Serinus Posted: Aug 10, 2014 1 comments
The 5th annual California Audio Show takes place August 15–17 in the four-star Westin SFO hotel in Millbrae, CA. Easily accessible via the freeway or BART (Bay Area Rapid Transit), this smaller-scaled show showcases rarely encountered big speakers from Dynaudio, Genesis, JBL, and Sound Labs.
Sam Tellig Thomas J. Norton Posted: Aug 09, 2014 Published: Jan 01, 1990 0 comments
666acoustat11.jpgI wish I could be enthusiastic about the Acoustat Spectra 11—an electrostatic/dynamic hybrid selling for $999/pair. At first glance, the Acoustat Spectra 11 looks like a good deal. They could almost be called knock-offs of the Martin-Logan Sequels—they're about the same size. As with the Sequels, there are moving-coil bass cabinets below, electrostatic panels on top. The Spectra 11 cannot be bi-wired and does not come with spikes. Tiptoes are recommended, and I used them. I let the speakers run in for about 24 hours before doing any serious listening.
Thomas J. Norton Posted: Aug 08, 2014 Published: Sep 01, 1988 1 comments
666sumopre.jpgSumo is one of a handful of American audio manufacturers dedicated to producing moderately priced products aiming for high-end sound; their most expensive product is the Nine Plus, at $1199 (although a more expensive Andromeda II is imminent). When I heard I was scheduled to review the Sumo Athena, I looked forward to the opportunity. A Sumo Nine (not a Nine Plus, which I haven't auditioned) had been my front-line power amplifier a few years ago. It was an excellent budget amplifier whose only serious shortcoming was its limited 60Wpc power output.
Thomas J. Norton Posted: Aug 06, 2014 Published: Sep 01, 1988 1 comments
666ps46.1.jpgChoosing a moderately priced preamp has traditionally presented the audiophile with a host of serious problems. Most attempt to be all things to all listeners, expending resources on bells and whistles which would have been better expended on basic performance. Few have anything resembling a decent moving-coil stage. But there have always been a few designers (and companies) willing to expend much of their effort at the "low end of the high end." PS Audio has been such a company. Their new 4.6 preamp, an update and cosmetic clone of the earlier, well-received 4.5, is not at the top of their preamp range—that honor belongs to the 5.5—but it is clearly designed to be more than a price-point product.
J. Gordon Holt Posted: Aug 04, 2014 Published: Aug 01, 1984 6 comments
884rotm.ssph.jpgSaint-Saëns: Carnival of the Animals
Ravel: Mother Goose Suite

Pittsburgh Symphony Orchestra, André Previn, cond.
Philips CD 400-016 2 (CD).

The whimsical Carnival, with its nose-thumbing at Saint-Saëns' contemporaries (eg a lugubrious "Can-Can" and a stately cello rendition of Berlioz's Dance of the Sylphs, from The Damnation of Faust), is given a delightful treatment here, and put on one of the best-sounding CDs I've heard to date from a major record company.

Philips has been less up-front about the roots of its CDs than most other record manufacturers, If fact, they have been downright sneaky about it. This release—billed prominently on the CD jacket as a "Digital Recording"—sounds very much as if it was analog-mastered. The is certainly nothing Philips should ashamed of, because this is a better-sounding recording than most digitally mastered ones.

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Robert Baird Posted: Aug 04, 2014 0 comments
Call it the Robert Louis Stevenson Syndrome . . .
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Robert Baird Posted: Aug 02, 2014 3 comments
It’s clearly time for a complete rethink of the musical biopic format.
Robert J. Reina Posted: Jul 31, 2014 4 comments
I've long been impressed by the design, construction, and sound of the tubed electronics produced by Vladimir Lamm, but I'd never had a Lamm Industries product in my house. So I asked for a review sample of Lamm's flagship line-stage preamplifier, the LL1 Signature.
Herb Reichert Posted: Jul 31, 2014 6 comments
Once, on a cold, dank, soundless day deep in the Eastern bloc, I watched a man spend over a million dollars on an audio system: a turntable, a fancy horn tweeter, a few wires, and some amplification for his modified Klipschorns. I asked him what he did for a living, and he told me he was a notary public.
John Marks Posted: Jul 30, 2014 5 comments
The CD-200 is the new CD-only player from TASCAM, the professional-audio division of TEAC (footnote 1). It has unbalanced analog outputs, and RCA and optical digital outputs. The CD-200 also has a new transport, the CD-5020A, designed by TEAC for audio use.

Unlike many affordable disc-spinning devices with slot-loading transports (eg, inexpensive DVD players starting at $29.99), the CD-200 has a traditional drawer mechanism that has been upgraded to minimize the noise of loading and clamping a disc. TASCAM also claims improvements in the internal clock function, for smoother sound and lower jitter.

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