LATEST ADDITIONS

Wes Phillips Posted: Feb 09, 1996 0 comments
Stuff that works, stuff that holds up/
The kind of stuff you don't hang on the wall/
Stuff that's real, stuff you feel/
The kind of stuff you reach for when you fall.
John Atkinson Posted: Feb 07, 1996 0 comments
Following my review of two high-performance minimonitors last November (footnote 1), I received a letter asking why I recommended a stand-mounted speaker at all when it was possible to buy a floorstanding design with more bass for the same amount of money. Furthermore, the correspondent went on, when you consider that the minimonitor sitting on its stand occupies as much floorspace as the floorstander, it's hard to see why a market for minimonitors exists at all.
Martin Colloms Posted: Feb 03, 1996 Published: Feb 03, 1987 0 comments
In the audio field, the British have traditionally thought "small," scoring hits both with their compact loudspeakers and with medium-priced amplifiers. The continued growth of the audiophile speaker market in the US, however, which favors larger loudspeakers, has at the same time stimulated the research and design of more powerful, excellent quality amplifiers. In their turn, these have placed increased demands on the speakers they drive.
Richard Schneider Posted: Feb 02, 1996 0 comments
WALTON: Belshazzar's Feast; Suite from Henry V; Crown Imperial (Coronation March)
Bryn Terfel, bass-baritone; Bournemouth Symphony Chorus (Neville Creed, Chorus Master); Waynflete Singers—semi-chorus L'Inviti (David Hall, Chorus Master); Andrew Litton, Bournemouth Symphony Orchestra
London 448 134-2 (CD only). Chris Hazell, prod., Simon Eadon, Jonathan Stokes, Philip Siney, engs. DDD. TT: 60.25
John Atkinson Posted: Feb 02, 1996 0 comments
Following my review of two high-performance minimonitors last November (footnote 1), I received a letter asking why I recommended a stand-mounted speaker at all when it was possible to buy a floorstanding design with more bass for the same amount of money. Furthermore, the correspondent went on, when you consider that the minimonitor sitting on its stand occupies as much floorspace as the floorstander, it's hard to see why a market for minimonitors exists at all.
John Atkinson Wes Phillips Posted: Jan 26, 1996 0 comments
The inspiration for this project came from Stereophile's Gretchen Grogan and Erich Vollmer of the Santa Fe Chamber Music Festival. Music Festivals are perhaps the healthiest aspect of classical music making, allowing ad hoc ensembles to chart the farthest reaches of the repertoire, as well as retracing the familiar ground of the great works. Why not, they thought, capture a representative selection of works performed at the 1995 Santa Fe Chamber Music Festival? This would not only document some of the great performances to be heard, but also allow music lovers everywhere to participate in what has increasingly been recognized as one of the US's best summer music festivals.
Wes Phillips Robert J. Reina Posted: Jan 11, 1996 0 comments
SLAM! My left foot went numb. My fellow salesman, Danny Shapiro, had lost control of the Thiel CS5 that we'd been walking into place in Demo Room V, and it had come crashing down on my foot with unerring accuracy—all 180 lbs worth. As I stared down in horror, I remembered that we'd left the spikes on. But wait a minute—there was no pool of blood spreading out from under the CS5. How could that be? Convinced that the heavy cabinet was acting as a tourniquet, I levered it off my foot, expecting a grisly sight. I got one: my new Rockport pierced by the carpet-point—right between my big and second toes. And people ask me why I like small loudspeakers.
Wes Phillips Posted: Jan 09, 1996 0 comments
TERRY EVANS: Puttin' It Down
AudioQuest Music AQ-CD1038 (CD), AQ1038 (LP*). Joe Harley, Terry Evans, Jorge Calderon, prods.; Michael C. Ross, eng. AAD/AAA. TTs: 53:25, 46:03*
Steve Guttenberg J. Gordon Holt Posted: Jan 03, 1996 0 comments
"Without content, television is nothing more than lights in a box."
---Edward R. Murrow.
John Atkinson Posted: Jan 02, 1996 0 comments
As I write these words, it's the height of the fall catalog season in the Atkinson household. Whole old-growth forests must have died to ensure the everyday stuffed state of our mailbox, which adds to the sense of guilt I feel as I pitch the offenders into the trash without even giving their insides a passing glance. But there are three catalogs I do look forward to receiving, that I read from cover to cover, that I deface with multicolored Post-It notes. The Audio Advisor catalog is, of course, a no-brainer for an audiophile. But the Griot's Garage and Levenger catalogs get equal billing from me. For both offer tools (used in the widest sense of the word) that appear to have been designed by people who actually use tools, who appear to care about quality, and who appear to feel that a product that breaks while it is being used for its intended task is an offense against God (footnote 1).

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