Echoing the sentiments of their American counterparts, German music industry executives are blaming the popularity of the CD burner for slumping music sales. "More music is probably being heard now than ever before," said German Recording Industry Association president Gerd Gebhardt, "but the music is not paid for, because copying has become so cheap and easy."
Those unhappy with today's over-the-air broadcasting choices will be glad to know that this is shaping up as a busy year for new radio formats. The commercialization of the IBOC AM and FM digital broadcasting system is about to be revealed at the same time that Sirius satellite radio announces that it will be accelerating its rollout schedule in an effort to compete with rival XM satellite radio.
At the recently concluded SAE-CEA Digital Car Conference in Detroit, representatives of the recording industry joined Panasonic for a DVD-Audio love-fest hailing the format as the "in-car music delivery system of the future." Panasonic's automotive electronics division used the conference and exhibition to introduce and demonstrate its first mobile DVD-Audio systems for OEM distribution. The company also hosted seminars exploring how it imagines DVD-Audio will specifically apply to and benefit the automobile industry.
Despite our best efforts, things can still go awry with Stereophile's "Recommended Components" listing, the most recent edition of which appears in the current, April 2002 issue. I reported a couple of errors a couple of weeks ago and now, sadly, I have more corrections to offer.
In my January "The Fifth Element" column, I discussed the concept of value in the context of audio component manufacture. This month's "Letters" includes a response to that column from Austrian distributor Hans Hirner. In his letter, Herr Hirner writes about some of his Web-surfing non-customers: "If that weren't enough, they also call me or my dealers to tell them how proud they are, after having taken all from me that is possible in system matching and trial—and even denoising their systems—to have been able to find 'our' products cheaper out there."
What could be easier to review than a power amplifier? No features or functions aside from inputs, outputs, and a power switch. So when Jonathan Scull asked if I could help out by taking on the Rotel RB 1080, which another reviewer hadn't been able to get to, I accepted the assignment. Before I could click my heels and say "FedEx!" twice, Rotel's 200Wpc RB 1080 had appeared.
"Even right out of the box, it's obvious that the Wadia Digital 861 CD player is something special," writes Brian Damkroger in this month's issue. "Its heft and finish are beyond the usual high-end standards." But how about the sound?
Is it the low exhibitor rates? The excuse to visit Montreal, perhaps North America's most cosmopolitan city? The efficiency and charm of organizer Marie-Christine Prin and her assistants? Whatever the reason(s), Montreal's Festival Son & Image has become a real success story, attracting an ever-increasing array of exhibitors and audiophiles from far and wide. Last year, the Festival spilled over from the downtown Delta Hotel to the Four Points Sheraton across the street; this year, there were exhibits in the Holiday Inn next door as well.
If Senator "Fritz" Hollings has his way, coming generations of electronic products will monitor their users' behavior and report possible copyright violations to some governmental regulatory agency. That's one of the more ominous provisions in Hollings' Consumer Broadband and Digital Television Promotion Act (CBDTPA), introduced for consideration by the US Senate the third week of March. The bill goes far beyond the Digital Millennium Copyright Act, passed in 1998.