LATEST ADDITIONS

Brian Damkroger Posted: Dec 03, 1997 0 comments
How much power do you really need? What does it do for you, anyway? Even before the single-ended renaissance, the prevailing wisdom was that you really didn't need that much power. When I had a pair of Met 7 speakers, even the "1 watt" indicator LED was hardly ever lit. Ditto for my time with a Threshold Stasis Two—all those cool power-indicator LEDs just sat there dark. Besides, everyone knows that power can be had only at tremendous cost, both monetary and in terms of other performance attributes.
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Brian Damkroger Posted: Dec 03, 1997 0 comments
Brilliant designs, spectacular initial success, rave reviews, explosive growth that stretches resources way beyond limits, too much attention to technology and too little to manufacturing and business practices, long hours, quality problems, conflicts between partners, and finally...
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Jon Iverson Posted: Nov 30, 1997 0 comments
Welcome to the official Stereophile website!
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Jon Iverson Posted: Nov 30, 1997 0 comments
When I first attended Comdex several years back, it was easy to feel like a fish out of water. My core interests were always high-end audio---and the computer biz at the time would get excited about anything that sounded as good as a telephone. But I was still curious about what all the brainiacs were up to.
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Jon Iverson Posted: Nov 30, 1997 0 comments
Digital audio took another lurch forward at Comdex '97 with the display of Yamaha's FireWire-to-PCM converter technology.
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Barry Willis Posted: Nov 30, 1997 0 comments
It won't be long before the Net-connected music lover will be able to sample and hold the tunes of his choice without having to visit Tower Records. High-speed transmission, high-density storage, and CD-quality music online---the three parts of the downloading puzzle---all fell into place the week of November 10.
John Atkinson Posted: Nov 29, 1997 0 comments
"Comping," they call it at Madrigal. Once a circuit and its board layout have been finalized, passive components are substituted one by one in an exhaustive series of listening tests to determine the places where use of a premium part, or one of closer tolerances, results in an audible benefit. This fine-tuning process cannot be open-ended, however, as products do have to shipped. So what happens when new parts become available, or new manufacturing processes allow a better-sounding part to be used without financial penalty?
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Keith Yates Posted: Nov 27, 1997 Published: Nov 27, 1988 0 comments
Five or six years ago I wrote a breezy, introductory-type piece on mid-fi "knob-surfing," winding up with a reprise on the old line that the number of the knobs, lights, and tattoos on the faceplate is often inversely proportional to the quality behind them.
Les Berkley Posted: Nov 26, 1997 0 comments
HILDEGARD VON BINGEN: 11,000 Virgins
Anonymous 4
Harmonia Mundi HM 907200 (CD). 1997. Robina G. Young, prod.; Brad Michel, eng. DDD. TT: 72:07
Performance ****½
Sonics *****
Wes Phillips Posted: Nov 26, 1997 0 comments
My next-door neighbor bought a late-'70s Porsche 924 last week, and I'm really glad he did. For one thing, it adds a little class to the 'hood—my 1984 Grand Wagoneer's peeling "wood paneling" is far more typical of the vehicles in my part of town. And Eric is just so obviously thrilled to own a piece of the legend—a real Teutonic driving machine.

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