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Stereophile Staff Posted: Apr 09, 2000 0 comments
Jonathan Scull has seen the future of audiophile proselytizing and aches to spread the word. In "Fine Tunes" #18, J-10 shares the new tweak-audio mantra, and more.
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Jon Iverson Posted: Apr 09, 2000 0 comments
The struggle for position in the Internet-based audio downloading market continues unabated. On the format front, Sony has recently announced several deals to bring its ATRAC compressed-audio format to the Web, while IBM and Liquid Audio announced last week that they have entered into a strategic relationship intended to "advance the digital music marketplace" with content-management tools.
Richard Lehnert Posted: Apr 04, 2000 0 comments
Joni Mitchell, vocals; Wayne Shorter, soprano & tenor sax; Mark Isham, trumpet; Herbie Hancock, piano; Chuck Berghofer, bass; Peter Erskine, drums; Vince Mendoza, arr., cond.
Reprise 47620-2 (HDCD). 2000. Larry Klein, Joni Mitchell, prods.; Geoff Foster, Ben Georgiades, engs. ADD? TT: 51:35
Performance ****?
Sonics ****?
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Nancy Renz Posted: Apr 02, 2000 0 comments
Audiophiles and classical music lovers often risk falling into a repertorial rut. The classical standards are constantly being rerecorded—often to the point of needless repetition. How many versions of Mendelssohn's "Italian" Symphony or Ravel's Bolero do you really need? Rather than fill up your shelves with recordings of the same tired compositions, I suggest you look into some of these more obscure pieces—all of them perfect for playing on the first day of April. Below, a list of fresh "basics" that any good audiophile should own:
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Stereophile Staff Posted: Apr 02, 2000 0 comments
Last week, JBL Consumer Products (a unit of the Harman Consumer Systems Group) and Korea's L.G. Electronics (manufacturers of Gold Star and L.G. Electronics brand products) announced that they have entered into a strategic alliance to jointly develop and market a "broad range of new consumer electronics products." The companies say that the partnership "builds upon the respective strengths of both manufacturers" and will enable both companies to expand their offerings into areas outside their traditional product categories.
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Jon Iverson Posted: Apr 02, 2000 0 comments
Next to join the online ATRAC parade, Warner Music Group announced last week that it has agreed to license the ATRAC3 audio compression technology from Sony, for use in the electronic distribution of music. Warner says it expects to launch its electronic distribution business during the second half of 2000, using ATRAC3 on a non-exclusive basis.
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Barry Willis Posted: Apr 02, 2000 0 comments
Thirty-five years after their heyday, the Beatles remain one of the preeminent phenomena of the modern age. More than 400 books have been written about them, both as a group and as individuals.
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Stereophile Staff Posted: Apr 02, 2000 0 comments
In an "increasingly complicated and competitive media environment," public broadcasting intends to be there. So declared the Corporation for Public Broadcasting on March 30, when it announced an almost $2 million investment in projects for National Public Radio and Public Interactive. CPB has long held the intellectual high ground in broadcasting, and its new investments are intended to continue that tradition. The goal of the program is to create "new content and services which will broaden the public square of ideas and civic discourse," according to a corporate press release.
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Stereophile Staff Posted: Apr 02, 2000 0 comments
For "Fine Tunes" #17, Jonathan Scull presents readers with the ultimate bachelor-pad mod for speaker stands: shiny black trash bags. More important, Scull investigates why we even try these things in the first place.
Jonathan Scull Posted: Mar 29, 2000 0 comments
I wasn't raised a McIntosh lad. My dad used Fisher, Bogen, Leak, and Ampex tubed electronics—and, at one time, even home-built speakers—to keep the house filled with a steady, enriching flow of Mozart. He never owned a Mac component, and, when going upmarket, reached for B&O, alas. So while I knew that many audiophiles hold tubed McIntosh gear—especially the early designs—in very high regard, I was somehow never bitten or smitten. But let's face it—for lo these many years, McIntosh has been for many the name in quality American audio. Take my friend Dan, to whom I've referred several times in the pages of Stereophile. He runs a tubed Conrad-Johnson 9 preamplifier, but wouldn't dream of giving up his 270Wpc solid-state McIntosh MC7270. He's goldurn proud of it!


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