On April 8, Nordic Entertainment Worldwide announced that it has adopted ARIS Technologies' MusiCode audio watermarking system. The Napa, California-based company operates the Downloadable Music Site, one of the Internet's most extensive music archives. MusiCode is an attempt to discourage piracy by embedding signals in recorded music, which can later be extracted for tracking the recordingÆs origin.
On April 7, Carver Corp. announced an agreement in principle for the sale of 3 million shares of restricted Common Stock of the company to one of its preferred shareholders, Renwick Special Situations Fund, L.P., for $375,000, or $0.125 per share.
"Digital audio quality at analog prices." ThatÆs how Cirrus Logic's Crystal Semiconductor division introduced a chip that may bring a new level of audio performance to a much wider audience. On April 6, Crystal announced its CS4334, an 8-pin, small-outline D/A converter. The 24-bit CS4334 will support sampling rates of up to 96kHz, and is being marketed as a low-cost, high-quality solution for computer, automotive, and portable audio applications, as well as DVD systems and set-top converter boxes. Crystal claims the new chip is the industryÆs smallest delta-sigma DAC.
BILL FRISELL: Gone, Just Like A Train Bill Frisell, electric & acoustic guitars; Viktor Krauss, bass; Jim Keltner, drums, percussion Nonesuch 79479-2 (CD). 1998. Lee Townsend, prod.; Judy Clapp, eng. AAD. TT: 69:58 Performance ***** Sonics *****
At the recent WinHEC '98, NEC Electronics Inc. made available prototype sample units of 1394-to-POF (plastic optical fiber) repeater boxes that extend transmission of video, audio, and textual data over long distances via plastic optical fiber and copper media. NEC Electronics, one of the first companies to demonstrate this technology over plastic optical fiber and copper and wireless media, is also one of the first to demonstrate transmission speeds of 200Mbits/s over plastic optical fiber.
Not long after the single-disc CD player was introduced, the multidisc changer followed, with products from companies like Sony and Pioneer. Shortly after the changer was introduced, it became the most popular version of the new hardware format. In the past eight years, changers have consistently outsold single-disc machines. The high-end market was characteristically slow to embrace changers, but companies like California Audio Labs have been successful in this category with products like the CL-10, a five-disc carousel changer.
High-end journal The Abso!ute Sound, long rumored to be circling the drain, has been officially revived. According to a press release dated March 24, TAS will be operated under a new company, Absolute Multimedia, owned by Tom Martin, a vice-president at Dell Computer. Martin has reportedly arranged serious financing for the new venture, which will be based in Austin, Texas.
A few nights ago, John Atkinson and I played host to a speaker designer and a turntable manufacturer. We were all chewing over the 1998 Consumer Electronics Show, talking about different systems we'd heard there and speculating as to which designs would be around for the long haul. The speaker designer said he'd heard no truly bad sound at the Show. Nods all around the table—none of us had. The turntable manufacturer asked if any of us could recall hearing any spectacularly bad products recently. We all shook our heads.
Call it the comeback kid. Only a year ago, electronics retailer Best Buy Company was on the brink of disaster. Reeling from rapid expansion---34 new stores in two years---and suffering from an industry-wide sales slump, the retailer was said to be close to defaulting on some large-scale loans. Customers were being offered no-interest long-term credit as an inducement to buy anything on the sales floor.
I first met Jacques Mahul (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, melomanes, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)