LATEST ADDITIONS

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Jon Iverson Posted: Mar 07, 1999 0 comments
Last week, Philips Electronics and Sony Corporation announced the completion of Version 1.0 of the Super Audio Compact Disc (SACD) format specification. According to a statement, the format specification will be released to licensees early this month to allow hardware manufacturers and software providers to begin preparing products for launch in the coming months.
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Stereophile Staff Posted: Mar 07, 1999 0 comments
Fans of Macintosh computers and Betamax videotape are fond of pointing out that in the free market, the best technologies don't necessarily win. That scenario may be playing out again in the case of VQF, a digital audio transfer and storage technology originally developed several years ago by Nippon Telegraph and Telephone.
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Barry Willis Posted: Mar 07, 1999 0 comments
Singer Dusty Springfield died at her home near Oxford, England last Tuesday, March 2, a few weeks before what would have been her 60th birthday and only one day before she was to have appeared at Buckingham Palace to be honored by Queen Elizabeth. The cause was breast cancer.
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Jon Iverson Posted: Mar 07, 1999 0 comments
The English flat-panel speaker company New Transducers Ltd., also known as NXT, recently announced a new transparent loudspeaker technology called SoundVu that the company says will enable television and computer screens to function simultaneously as loudspeakers.
Kalman Rubinson Posted: Mar 07, 1999 0 comments
I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.
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John Atkinson Posted: Mar 03, 1999 0 comments
Audio magazine has appeared to have been in difficulties of late, with falling circulation, advertising revenues, and issue size. The current editor-in-chief, Michael Riggs, has worked hard in the past few years to create a more appealing editorial product, since he replaced long-term editor Gene Pitts. However, an even bigger change is now taking place.
Robert Baird Posted: Mar 03, 1999 0 comments
BRUCE SPRINGSTEEN: Tracks
Columbia CXK 69475 (4 CDs). 1998. Bruce Springsteen, Chuck Plotkin, prods., engs.; Jon Landau, Stevie Van Zandt, Roy Bittan, Mike Appel, Jim Cretecos, John Hammond, orig. engs.; Ed Thacker, Bob Clearmountain, Thom Panunzio, remix engs. AAD? TT: 4:13:30
Performance *****
Sonics ****?
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Barry Willis Posted: Feb 28, 1999 0 comments
Unit sales of CD players rebounded in 1998, rising 4% to $336 million, according to statistics from the Consumer Electronics Manufacturers Association. All segments of the CD hardware market---single-play, carousel changers, and mega-disc changers---improved over the big slump of 1997, when unit sales fell 60% and dollar sales fell 40%. Through November 1998, single-disc player sales were up 33% in units and 24% in dollar volume. Carousel changers, component-CD's largest segment, rose 15% in units and 7.5% in dollars during the first three quarters of 1998.
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Barry Willis Posted: Feb 28, 1999 0 comments
The popular condensation of Darwin's theory of evolution is "adapt or die." The phrase could certainly have been addressed to the music-industry establishment by any one of four Internet entrepreneurs in a public discussion last week at San Francisco's Commonwealth Club. The four---Gerry Kearby of Liquid Audio, Gene Hoffman of GoodNoise, Arnold Brown of AudioExplosion, and Andrew Keen of Audiocafe.com---gathered at the public affairs forum Tuesday evening, February 22, for a spirited discussion of "The Future of Music Distribution."
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Stereophile Staff Posted: Feb 28, 1999 0 comments
Newcomer Revel has been on a roll lately, piling up accolades all around for its new line of loudspeakers. Larry Greenhill takes a look at the recently unveiled Revel Salon and explains how it compares to the Sydney Opera House. "Did the Salon meet its design goals of timbral accuracy, low distortion, and lack of dynamic compression?" Read all about it in Greenhill's report.

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