LATEST ADDITIONS

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Barry Willis Posted: Jul 18, 1999 0 comments
After months of wrangling, the Secure Digital Music Initiative (SDMI) has announced its first set of standards for portable digital music devices. Manufacturers can now incorporate these standards into the designs of new products. Many industry observers believe that portables will be the next big wave in consumer audio, expected to hit the market by the winter holiday season.
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Stereophile Staff Posted: Jul 18, 1999 0 comments
Internet music retailer CDnow has formed a partnership with Sony Corporation and Time Warner to build a music and video retailing behemoth. The July 13 announcement came in the wake of online bookseller Amazon.com's recent move into the music market. With the backing of corporate giants Sony and Time Warner, CDnow could be able to mount a challenge to the growing presence of Amazon, which is also expanding into toy sales and consumer electronics.
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Jon Iverson Posted: Jul 18, 1999 0 comments
Last week, satellite-to-car radio broadcaster CD Radio announced an agreement with mobile electronics manufacturer Alpine Electronics for the design and development of satellite radio receivers. Under the terms of the agreement, Alpine says it will design and develop three-band (AM/FM/CD Radio) audio receivers for installation by car manufacturers. The company also plans to design and develop satellite radio receivers for sale directly to consumers in the electronics aftermarket.
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Barry Willis Posted: Jul 11, 1999 0 comments
Last week, the Secure Digital Music Initiative announced that it would allow free MP3 downloads to co-exist with new encrypted forms of digital music transmission. Despite this, widespread concern in corporate legal departments about copyright-violation liability has prompted software developers to come up with blocking techniques to prevent pirated music from entering company "Intranets."
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Stereophile Staff Posted: Jul 11, 1999 0 comments
The Jeff Rowland Design Group is alive and well and in no danger of going out of business. The company was the victim of hackers who recently broke into the company's website and posted a notice to the contrary.
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Barry Willis Posted: Jul 11, 1999 0 comments
Since the earliest days of stereo—the first experiments with more than single-channel sound happened back in the 1930s—recording and playback have been based on a horizontal model: left-center-right, left-rear, right-rear. "Laterality," as it's sometimes called, can be exploited very well in creating plausible sensations of spatial events, especially by film-industry sound engineers. The believable reproduction of music is considerably more problematic.
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Stereophile Staff Posted: Jul 11, 1999 0 comments
According to a recent report released by Information Technology researchers Frost & Sullivan, the world Internet audio market generated revenues totaling $42 million in 1998, which dwarfs the 1997 revenues by 1516%. The report predicts that this market will continue growing at a healthy rate, achieving an increase into the triple percentage digits by the end of 1999.
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Stereophile Staff Posted: Jul 11, 1999 0 comments
Wes Phillips writes, "I catch John's eye and wonder if he's pondering the same question I am: What were we thinking?" In addition to trying to push forward the limits of getting great sound onto tape, Stereophile's release of Rhapsody In Blue would offer the public a groundbreaking arrangement of George Gershwin's most popular orchestral work. In "The Rhapsody Project," Hyperion Knight and John Atkinson join Wes in chronicling their perspectives on the processes leading to this landmark recording.
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Jon Iverson Posted: Jul 11, 1999 0 comments
One would think that the Internet was growing crowded with online music retailers such as CDnow/N2K, Amazon.com, EveryCD, and Tower Records, just to name a few, all hustling CDs. But the lure of gold in them e-commerce hills is hard to resist. Last week, barnesandnoble.com jumped into the fray and announced the launch of its own Music Store, featuring what the company describes as the first "online classical music superstore." Notably late to market with its online bookselling franchise, barnesandnoble.com hopes to gain ground against arch-rival Amazon.com by expanding beyond books and better focusing on niche markets.
Larry Greenhill Posted: Jul 08, 1999 0 comments
The patter of the snare drum began softly and I leaned forward in my seat. Avery Fisher Hall fell silent as Riccardo Muti led the New York Philharmonic in Ravel's Boléro. Ravel once described this masterpiece as "lasting 17 minutes and consisting wholly of orchestral texture without music—of one long, very gradual crescendo." Though the hall was silent and expectant, the stage was packed with musicians waiting for...what? To gradually join in, one by one and layer by layer, to drive that gentle but relentlessly mounting crescendo. Ravel accomplished this by "having solo instruments play the melody...[then progressing] to groups" and finally "arranging the scoring so that the dynamics are self-regulating" (footnote 1). When the final, thunderous E-major chord stopped the piece by locking "all its harmonic gears," the hall erupted in ecstatic applause, and we all leapt to our feet.

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