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Jon Iverson Posted: Feb 23, 2003 0 comments
It's tough to know which CDs, SACDs, and DVD-Audio discs have been restricted through watermarks or other "copy protection" techniques. This has created a thriving underground community, with websites such as Fat Chuck's devoted to sussing out the corrupted audio products and posting notification to consumers.
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Barry Willis Posted: Feb 23, 2003 0 comments
In October 2000, during Napster's prolonged courtroom agony, Bertelsmann AG alienated fellow music industry plaintiffs by investing $50 million in a strategic partnership with the file-sharing upstart. At the time, Bertelsmann hoped to leverage Napster's technical expertise and fame to give Bertelsmann Music Group the inside track with Internet music distribution.
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Stereophile Staff Posted: Feb 23, 2003 0 comments
Copy protection efforts currently being initiated by national lawmakers at the behest of the entertainment industry are based on a model of Internet use that will soon become obsolete, according to Stanford law professor Lawrence Lessig.
Kalman Rubinson Posted: Feb 23, 2003 0 comments
Some people believe that high-end audio is mostly fluff whose cost, compared to standard professional studio electronics, is not justifiable. Moreover, they argue, if the music has been piped through any number of studio devices before it gets to your home, you can't expect to get more out of it than the studio devices will pass. Just as the argument is made about the final 6' of power cord, how can one Over-The-Top device make up for the foibles of those that precede it?
Paul Bolin Posted: Feb 23, 2003 0 comments
Looking at the current digital scene is enough to confuse and confound just about anyone this side of Stephen Hawking. One can choose from standard "Red Book" CDs (16-bit/44.1kHz), DVD-As, DADs (24/96 DVD-Vs), SACDs, combination audio-video players and changers, upsamplers, oversamplers, and every possible agglomeration of the above. As the audiophile-grade universal player remains vaporware, if you want to keep moving forward you have to choose among the various format combinations. Ayre Acoustics' Charles Hansen made his decision back in 1998—DVD-Video—and has spent the last four years refining the end result, now known as the D-1x.
Sam Tellig Posted: Feb 23, 2003 0 comments
Despite its name, the Panache is not made in France, but here in the States, by Portal Audio, headquartered in Charlotte, North Carolina. The company is owned and run by Joe Abrams, a longtime veteran of high-end hi-fi who was once closely associated with Threshold.
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Stereophile Staff Posted: Feb 17, 2003 0 comments
Memorial Day is the traditional beginning of summer. This year, it will mark a new chapter for Klipsch Audio Technologies.
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Stereophile Staff Posted: Feb 16, 2003 0 comments
Michael Fremer investigates the Parasound Halo JC 1 monoblock power amplifier, exclaiming, "The 5-to-1 ratio of cost to retail price suggests that the "raw" cost of the JC 1 is about $600—a number almost impossible to believe, given the superb build quality and sheer heft of this powerhouse monoblock." And then there is the sound.
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Jon Iverson Posted: Feb 16, 2003 0 comments
Start policing your employees' use of file sharing networks or we sue you. That was the threat from the Recording Industry Association of America (RIAA) and Motion Picture Association of America (MPAA) to Fortune 1000 companies last week as the organizations announced the publication and distribution of a guide "to assist US companies in preventing copyright abuse on their computers and networks."
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Barry Willis Posted: Feb 16, 2003 0 comments
The Wiz may not be long for this world. On Monday, February 10, Cablevision Systems Corporation announced that it would sell or close its remaining 17 consumer electronics stores, all in the New York metro area, New Jersey, and Connecticut. The announcement came only a few days after Circuit City announced major cutbacks of its workforce and the elimination of sales commissions.