LATEST ADDITIONS

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Stereophile Staff Posted: Aug 01, 1999 0 comments
While recording the Encore CD for Stereophile, John Atkinson had to decide: "Should I add some artificial reverberation?" After much gnashing of teeth, he plowed ahead. Read about the process in "Encore," an in-depth look at the recording techniques, the artists, and the music.
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Jon Iverson Posted: Aug 01, 1999 0 comments
The DVD Forum announced July 28 that it will start verification services for products based on the DVD-Audio format (see previous article) at some of its authorized DVD Format Verification Laboratories starting September 1999. According to the Forum, format verification is conducted to establish the conformity of DVD products with DVD formats created by the DVD Forum, and allows manufacturers of successfully tested products to use DVD logos as proof of conformity.
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Robert Rich Posted: Aug 01, 1999 0 comments
Pauline Oliveros calls it "deep listening"—a way to pay attention to the sensual qualities of sound itself. Welcome to a world of music that defies categorization, that invites a listener to soak slowly into a deep and otherworldly zone. This music goes by many names: ambient, spacemusic, electronica, sacred music, tribal/trance. Alas, you'll often find it hiding in the New Age section. Unlike some fluffier New Age fare, good ambient albums can explore the deeper, more solitary spaces. At its best, ambient music can sensitize you to sound in unique ways. It can enlarge your listening space to cavernous dimensions, paint hallucinogenic sonic landscapes, summon primordial forces, or enshroud you in clouds of diffuse vapor.
Robert Levine Posted: Jul 27, 1999 0 comments
MOZART: Così fan tutte
Véronique Gens, Fiordiligi; Bernarda Fink, Dorabella; Werner Güra, Ferrando; Marcel Boone, Guglielmo; Pietro Spagnoli; Graciela Oddone, Despina; Kölner Kammerchor, Concerto Köln, René Jacobs
Harmonia Mundi 951663.65 (3 CDs). 1999. Barbara Valentin, artistic dir.; Mark Hohn, eng. DDD. TT: 3:21:09
Performance *****
Sonics *****
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Jonathan Scull Posted: Jul 27, 1999 0 comments
So where and on exactly what should you plunk your precious audiophile components when you get them home? And why even bother?
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John Atkinson Posted: Jul 27, 1999 0 comments
It was the road signs alongside I-44 that first caught my attention, each with its twin supports neatly snapped halfway up. Then I saw the outlet center east of Oklahoma City, smashed flat as if struck by the mother of all baseball bats swung by a careless god.
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Stereophile Staff Posted: Jul 25, 1999 0 comments
The age of digital music downloads has begun in earnest. On July 20, EMI Recorded Music announced that it has signed a deal with Digital On-Demand and its subsidiary, RedDotNet Inc., to make the EMI catalog available for downloading to kiosks in music stores. The kiosks will be equipped with CD "burners" where customers can copy EMI recordings not in stock in the stores. They will also be able to print out the original cover art and liner notes. Discs can be copied at high speed in 5 to 15 minutes using RedDotNet's technology, the announcement noted.
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Jon Iverson Posted: Jul 25, 1999 0 comments
According to a report released last week by Cahners In-Stat Group, a high-tech market research firm, the market for personal digital music players using audio compression technologies will experience a tremendous increase in growth through the next several years. Nearly $800 million in player sales are expected in 2003, spurred largely by widespread Internet access. The report also states that products in this segment will initially focus on downloading technologies like MP3, and over the next 12 months consumers should expect to see more features integrated into the players such as FM tuners, increased storage capacity, and security systems like Secure Digital Music Initiative (SDMI).
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Jon Iverson Posted: Jul 25, 1999 0 comments
The Secure Digital Music Initiative (SDMI) appears to be the antidote to many a record executive's worst audio poison: legions of young music fans downloading digital audio files off the Internet and passing them around with no regard to copyright restrictions. But what might be the answer to some companies' prayers could prove to be the Big Brother nightmare feared by others.
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Stereophile Staff Posted: Jul 25, 1999 0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.

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