Being a metallurgical engineer, I've always been intrigued by audio cables—their construction, the materials they're made of, how they're produced, and, of course, how all of that relates to their sound. Over the years, I've auditioned a wide range of cables, from Nordost's round conductors in a flat cable, to Alpha-Core's flat cables in a round conductor, to MIT's complex termination systems. I've even got a closet full of cables—some quite good—from companies that no longer exist.
There may be hope for the most common type of hearing loss. Researchers at the University of Michigan have succeeded in growing new hair cells in the inner ears of laboratory animals, the first time that such cells have been regenerated in mammals.
"Does the modern audiophile want a sleek, compact, powerful, remote-controlled, microprocessor-driven, two-channel integrated amplifier?" Michael Fremer seeks the answer as he reviews the Perreaux R200i integrated amplifier. It may be small, but as MF finds, it also packs a punch.
Sony announced last week that it has created a new brand product line intended to identify its highest end products: Qualia. Initially, the new line will launch only in Japan, and will include both audio and video products in addition to a small pocket camera. Sony President Kunitake Ando had previously suggested the line would launch by March 2003.
DVD-Audio has been struggling to find its footing for three years now; the average consumer on the street has very likely never even heard of it. Watermarked discs, confusing playback menus, competition from SACD, and a dearth of titles haven't helped, but perhaps the biggest problem DVD-A faces is simply getting the word out.
Of all the components to be seen and heard at an audio show or in a dealer's showroom, the most memorable and attention-grabbing are inevitably the super-speakers—bogglingly expensive, filled with cutting-edge engineering and exotic materials, of mammoth size and weight, with full-range reproduction that shakes building foundations and extends far enough up top to disrupt the navigation of bats. Survey the field, and the biggest Wilson, Aln, JMlab-Focal, Burmester, EgglestonWorks, and Nearfield Acoustics models, to name a few, fit that description.
When I first got into hi-fi, stereo was just over the horizon and imported products were still rare. The inexpensive ones came from Japan, and you could find them, often with names that changed from week to week, in the open-air displays in and around Cortlandt Street in lower Manhattan. The more expensive brands were European, primarily British, and beyond my financial grasp.
Does the modern audiophile want a sleek, compact, powerful, remote-controlled, microprocessor-driven, two-channel integrated amplifier? Perreaux Industries, based in New Zealand, thinks so. They've designed all that, plus good looks and impressive build quality, into the R200i. Despite its relatively small size—4.1" tall by 16.9" wide by 13.4" deep—the R200i packs a punch. It's rated at 200Wpc into 8 ohms and 360Wpc into 4 ohms, yet it weighs just a fraction under 30 lbs.
When I unpacked the review samples of Earthworks' Sigma 6.2 loudspeaker, I was reminded of a Pop Art exhibition I'd visited 30 years before, in London. Along with a stuffed drum kit and other of Claes Oldenburg's exaggerated-scale floppy sculptures, hanging from the Tate Gallery's ceiling was an enormous three-pronged, US-style AC plug made entirely of hardwood (footnote 1). Although the Sigma 6.2 is available in plain-Jane black MDF for $3500/pair, the optional solid-cherry cabinet, with its polished grain-streaked panels, has the same carved-from-solid, feel of the Oldenburg plug. I found myself wanting to stroke the speaker.