LATEST ADDITIONS

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Stereophile Staff Posted: Apr 15, 2001 0 comments
Consumers attending the Home Entertainment 2001 Show in NYC, May 11–13, 2001, will have a unique opportunity to speak with and learn from the home entertainment industry's leading experts. As part of the three-day audio and video extravaganza, the Show will offer educational seminars and panel discussions—included with the admission ticket price on a first come, first served basis. This is a rare opportunity for consumers to meet with legendary industry journalists, manufacturers, dealers, and others.
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Stereophile Staff Posted: Apr 15, 2001 0 comments
To balance or not to balance? That is the audio question that Martin Colloms sets out to answer in Balance: Benefit or Bluff? Although balanced capability is a fashionable feature in many expensive audio products, Colloms writes that "the High End could be paying dangerous, costly lip service to the received wisdom that balanced operation is the goal for an audio system."
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Barry Willis Posted: Apr 15, 2001 0 comments
During the past year, hardly a day has gone by without headlines announcing the latest twist in the fate of embattled free music service Napster.com. Lost in the hysteria was Napster's tiny rival Emusic.com, a three-year-old online music venture that always charged its subscribers for downloading tunes, and always paid the copyright holders. For news appeal, Emusic's paltry 10,000 subscribers and languishing stock price didn't compare to Napster's reported 75 million users and major league court battles.
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Jon Iverson Posted: Apr 15, 2001 0 comments
In the perfect digital future, audiophiles would be able to drink from the purest of high-resolution audio datastreams with no worry that someone upstream had polluted the current. But in the real world, content providers and hardware manufacturers increasingly conspire to dirty the flow a little and limit unauthorized consumption by controlling the technology needed to filter out their toxic additives.
Michael Fremer Posted: Apr 15, 2001 0 comments
Give an engineering team a blank page and a blank check and there's no telling what they'll come up with. At the Consumer Electronics Show in Las Vegas in January, for example, one company showed a $25,000 CD transport with laser-pickup mechanism that was separate from its disc drive—almost the cosmic equivalent of having the sun revolve around the earth.
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John Atkinson Posted: Apr 12, 2001 0 comments
This letter from Mike Pageau appeared in the April 2001 issue, and triggered the following "As We See It" essay:
Chip Stern Posted: Apr 12, 2001 0 comments
Having the Philips SACD1000 in my system promoted me to spill some ink about the Sony SCD-777ES. In the months I've had this SACD player in my system, my experience of music has been enhanced to the point where I feel more and more confident about the aural judgments I'm called on to make—because I'm convinced that I'm listening to a digital source on which I can bet the ranch.
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Sam Tellig Posted: Apr 08, 2001 0 comments
You know the trouble with show reports? You read them after the show. So let me give you a brief report on Home Entertainment 2001 before the Show.
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Barry Willis Posted: Apr 08, 2001 0 comments
A recent email soliciting acquisition partners has given rise to a rumor that George Tice is leaving audio. "Far from it," said the AC power-conditioning pioneer from his Jupiter, FL office. "I want to accomplish three things: move this company to the next level; devote more of my energy to research and engineering; and spend more time with my family." These goals are going to require a well-organized team effort, he insists.
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Barry Willis Posted: Apr 08, 2001 0 comments
Large companies may be chopping jobs by the thousands, but there are signs elsewhere that the economy is still booming. Recent figures from electronics retailers Best Buy and the Tweeter Home Entertainment Group and from Sony Electronics indicate only a partial slowdown in spending for quality audio/video gear.

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